喜劇演員杰克（威爾?法瑞爾 Will Ferrell 飾）事業(yè)開始下滑，在經(jīng)紀(jì)人的建議下，杰克準(zhǔn)備翻拍經(jīng)典搞笑連續(xù)劇《神仙俏女巫》。同時(shí)，為了鞏固自己在該劇的地位，杰克必須找一名新人在他的劇集里演他的妻子，女巫薩曼紗。在面試了數(shù)百人后，迷人可愛而且還會(huì)和女巫一樣聳鼻子的伊莎貝拉（妮可?基德曼 Nicole Kidman 飾）進(jìn)入了杰克的視線。在杰克鼓動(dòng)了自己的三寸不爛之舌后，伊莎貝拉終于同意和他一起出演該劇。該劇試播后反響強(qiáng)烈，為了和伊莎貝拉長(zhǎng)久合作下去，杰克決定假戲真做，向伊莎貝拉展開了愛情攻勢(shì)。只是，他有所不知道是，伊莎貝拉真的是一名法力高強(qiáng)的女巫，杰克以后的日子可不好過(guò)了。

馬拉加街夕陽(yáng)紅

卡門·毛拉,瑪爾塔·埃圖拉,艾哈邁德·布拉內(nèi),瑪利亞·阿爾方薩·羅索,米格爾·加爾塞斯,拉·伊門

79歲的西班牙女子瑪麗亞·安赫萊斯獨(dú)自生活在摩洛哥的丹吉爾，享受著自己的日常生活。然而，當(dāng)她女兒從馬德里趕來(lái)，想要賣掉她一直居住的公寓時(shí)，她的生活徹底被打亂了。決心留下來(lái)的她，竭盡所能想要奪回自己的家與財(cái)物，卻意外重拾了愛情與感官的愉悅。

不能錯(cuò)過(guò)的只有你2

吳翊歌,李萌萌,楊業(yè)明,劉流,陶紅,趙熙玥,黃品沅,趙晉,田東霖,趙漢軍,王彩平

風(fēng)流不羈的房地產(chǎn)銷冠江來(lái)（吳翊歌飾），為利益化身“深情畫家”，步步為營(yíng)接近倔強(qiáng)女醫(yī)生李夢(mèng)（李萌萌飾）。他算計(jì)利益得失，她卻賭上了余生信任，他們之間，連錯(cuò)過(guò)都像一場(chǎng)預(yù)謀。一場(chǎng)以利益為起點(diǎn)的相遇，卻讓他在這段關(guān)系中動(dòng)了真心，在情感與利益中瘋狂撕扯。當(dāng)真相被揭開時(shí)，這場(chǎng)以欺騙開場(chǎng)的相遇，能否在真心面前低頭？是選擇放手，還是為愛再賭一次？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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