不倫陷阱
停職中的警探善宇對捉奸很有一套,索性開展副業(yè),專門提供捉奸服艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。副職三日后,他接手了一個新案件,誰知等著他的竟是不倫現(xiàn)場的兩具尸體,而唯一的目擊者是其中一名死者的妻子--秀珍。 善宇瞬間陷入絕境,莫名其妙成了殺人嫌疑犯。為了查清真相、洗脫罪名、揪出真兇,善宇掙扎萬分,事態(tài)卻進(jìn)一步惡化。另一方面,善宇也和美艷魅惑的秀珍發(fā)展出一段危險曖昧的關(guān)系,令自己在迷宮中越走越深
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跳動的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪學(xué)園便利屋
古川登志夫,平松広和,関俊彥,荘真由美,塩沢兼人飛機(jī)和火山
迪恩·凱恩,羅賓·吉文斯,勞倫斯·希爾頓-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney數(shù)碼寶貝大電影五:冒險者的戰(zhàn)斗
野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛,三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太我的生命之光
卡西·阿弗萊克,伊麗莎白·莫斯,安娜·尼奧斯基,湯姆·鮑爾,蒂莫西·韋伯,蒙克·塞雷爾·弗里德,赫羅斯加·馬修斯養(yǎng)鬼吃人7
卡瑞·伍爾 , 保羅·瑞斯 , Simon Kunz同類推薦
雙瞳
梁家輝,劉若英,戴立忍,大衛(wèi)·摩斯,楊貴媚,林涵,郎雄由于兩年前揭發(fā)同僚貪污,臺北警官黃火土(梁家輝)被上級報復(fù)調(diào)入冷門的外事組工作,利益也曾連帶受損的新同事對他怒言相向,加上妻子清芳(劉若英)受不了他長期不回家要求離婚,黃火土感覺他的世界正在逐漸四分五裂。就在此時,三宗受害者的身份并無關(guān)聯(lián)的震驚了臺灣社會的離奇命案發(fā)生,法醫(yī)(楊貴媚)驗尸發(fā)現(xiàn)他們都是因中一種神秘的黑霉菌產(chǎn)生幻覺而死,因為缺乏此方面的人才,當(dāng)局從美國請來此種案例的偵辦專家凱文萊特(David Morse)協(xié)助破案,黃火土重被任用。隨著一樁令所有人都目瞪口呆的事實的被發(fā)現(xiàn),一場圍繞政治利益與民眾利益的斗爭也在黃火土和辦案伙伴李豐博(戴立忍)及整個警察隊伍之間展開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
星光繼承者/僵尸高校生:繁星匯聚演唱會
瑪利亞·貝克,瑪拉基·巴頓,凱莉·坎特羅爾,喬舒亞·科利,梅格·唐納利《殭屍高校生》與《星光繼承者》的世界在此交會,帶來一場盛況空前的演唱會!兩部作品的卡司將首度合體登臺演出。由瑪莉亞·貝克、馬拉奇·巴頓、凱莉·坎特拉爾、約書亞·科利、梅科南·奈夫、達(dá)拉·蕾妮、芙蕾雅·史凱領(lǐng)銜,更有瑞塔·歐拉、麥洛·曼海姆、梅格·唐納利、利亞曼尼·塞古拉等特別嘉賓驚喜現(xiàn)身。
燭影危林
卡羅琳·麥柯米克,喬爾·托貝克,里桑·瓦倫丁A blended family from the city buys a house sight unseen in an isolated backwoods hamlet. Things get rocky when the locals aren't as welcoming as expected and a dangerous urban legend turns out to be true. In their struggle to put down roots, they find their sanctuary in peril-and their lives threatened-by the land's haunted past.
創(chuàng)圣大天使:一發(fā)逆轉(zhuǎn)篇
寺島拓篤,嘉數(shù)由美,小林沙苗,森川智之,石冢運(yùn)升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹,兵藤真子,杉田智和,齋賀光希,樸璐美,風(fēng)間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇時長半小時的短片。故事是發(fā)生在TV版中途的番外篇,突出兩位女主角的位置,并附帶“歌姬”設(shè)定……主題曲延用TV版前半部的OP(但收錄進(jìn)劇場版時被取消)。