東京艾曼紐夫人

8.1 播放:39萬 更新:2026-05-09

京子娶了法國人和皮埃爾, 回到日本顫抖了六年。 英子之前曾在一個同性戀關(guān)系來撿起來。 和, 京子誰去了高級俱樂部被介紹了從英子的大學教授的田園。 京子被性的人所吸引, 宣揚有一個真正的自然性。 人性在黨的面前, 京子致力于建筑的獨創(chuàng)性, 猶如獸在空中索道的數(shù)米。 此外, 它是批發(fā)到橄欖球的 scrum 和它被侵犯的年輕人一個接一個, 它是京子。 并且, 它從京子的后面做了它, 誰在最后跑的馬舉行了同性戀者的牧場地的丘比特山崎。 英子預計將放棄返回巴黎, 看到京子誰已作出改變, 以徹底的田園。 然而, 京子在巴黎向皮埃爾打了一個國際電話, 決定返回巴黎。 燦爛的東京曼的愛完成了。   

即刻觀影

劇情賞析

京子娶了法國人和皮埃爾, 回到日本顫抖了六年。 英子之前曾在一個同性戀關(guān)系來撿起來。 和, 京子誰去了高級俱樂部被介紹了從英子的大學教授的田園。 京子被性的人所吸引, 宣揚有一個真正的自然性。 人性在黨的面前, 京子致力于建筑的獨創(chuàng)性, 猶如獸在空中索道的數(shù)米。 此外, 它是批發(fā)到橄欖球的 scrum 和它被侵犯的年輕人一個接一個, 它是京子。 并且, 它從京子的后面做了它, 誰在最后跑的馬舉行了同性戀者的牧場地的丘比特山崎。 英子預計將放棄返回巴黎, 看到京子誰已作出改變, 以徹底的田園。 然而, 京子在巴黎向皮埃爾打了一個國際電話, 決定返回巴黎。 燦爛的東京曼的愛完成了。   

編輯推薦

E.S.P.Y

藤岡弘,西辻由美子,草刈正雄,加山雄三,若山富三郎,內(nèi)田勝正,岡田英次,睦五郎,山谷初男,高村ルナ

  小松左京の同名SF小説を原作に、超能力を持つ諜報員?エスパイたちの活躍を描く。當時の技術(shù)で、果敢に超能力を表現(xiàn)しようとする試みが光る。田村、マリア、三木の3人は、國連の秘密組織’“エスパイ”で働いていた。エスパイとは、超能力を悪用する逆エスパイと戦うための超能力者を養(yǎng)成する機関である。やがて、東西冷戦の要?バルトニアの首相暗殺計畫をめぐって3人の活躍が始まる……。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

孤獨監(jiān)禁

大衛(wèi)·奧伊羅,魯奇婭·伯納德,吉米·費爾斯,奧利維亞·華盛頓,托馬斯·卡德羅特,亞歷山大·索托,Naomi Simpson,瑞恩·馬爾凱,Gerardo Barcala,凱特·蓋多西克,Trell Isaac,Julie Nolin,Matthew Mylrea,Aiden Stoxx,Alexander Davis,Glenn Hoffmann,巴里·佩珀,Nigel Gentry,Gavin Turnbull,Yorkie Joaquin

 A man in solitary confinement for seven years comes out into a world of self-isolation.

圍困

尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku

  該片講述了偉大衛(wèi)國戰(zhàn)爭期間列寧格勒遭受德寇圍困的九百天,列寧格勒軍民克服種種令人難以置信的困難--饑餓,轟炸,疾病,寒冷——保衛(wèi)了這座“英雄城”并最終打破了德寇的圍困的故事。

伊沃克人:為恩多而戰(zhàn)

Wilford Brimley,Aubree Miller,Sian Phillips

  由國王Terak和女巫Charal所帶領(lǐng)的掠奪者軍隊襲擊了伊渥克族人的村莊。Cindel的父母和兄弟全都死于這場襲擊。Cindel與一個伊渥克族人Wicket逃了出來。在一片森林里,他們遇見了Teek這只非常淘氣也非常敏捷的野獸。Teek把他們二人帶來一位老人Noa的住處。而這位Noa有著與Cindel相似的經(jīng)歷——他乘坐的星際巡洋艦也墜毀在了恩多上。大家齊心合力對抗Terak和Charal。

噴火女郎

邱淑貞,鄭丹瑞,鄭裕玲,葉德嫻,朱江,黎小田,文雋,黎彼得,程東,陳慧儀,苑瓊丹,李兆基,劉松仁

  叉燒(鄭丹瑞 飾)是一個不務正業(yè)的小青年,整體裝神弄鬼騙錢。一天,叉燒的一個租客——在夜總會當媽媽桑的大B(葉德嫻 飾)的家里來了一個客人,她美麗的外甥女云云(邱淑貞 飾)。大B用盡千方百計將美麗的云云哄到夜總會當舞女,想著從她身上大賺一筆。一個晚上,黑社會老大炮哥到夜 總會消遣時遇到了云云,炮哥垂涎她的美色,找人把云云捉走了。怎知誰也料不到云云這個弱女子竟然擁有超能力——會噴火,關(guān)鍵時候她用自己的超能力脫身了。不久叉燒就得知了云云的這個本領(lǐng),于是,一個壞主意計上心頭……