霧靄像女人一樣低吟

評分:4.0 播放:87萬 更新:2026-05-08
主演: 吳樹美 車賢宰 

  A pair of lovers murder the man's wife so they can be together. However, the body is never recovered and signs start appearing that suggest she may still be alive.

影片推薦

同類精選

影視排行

皮皮魯和魯西西之309暗室

黃爽,劉蕊,李昕

 皮皮魯兄妹在自家衣柜發(fā)現(xiàn)309暗室,打開后遇到了科學(xué)家“覓工”并得到“致聰盔”。皮皮魯將“致聰盔”戴到了寵物“大傻”的頭上后,城市陷入癱瘓。皮皮魯和家人齊心協(xié)力戰(zhàn)勝“大傻”,魔方市恢復(fù)了原來模樣。

米奇船大屠殺

Natasha Tosini,Shayli Reagan,Lauren Leppard

一名正在與毒癮作斗爭的年輕女子突然開始看到一種變異的老鼠與人類的雜交體,這種雜交體侵?jǐn)_了她的生活。她周圍的人開始可怕地死去…

大怪獸加美拉

船越英二,北原義郎,浜村淳,大山健二,吉田義夫,左卜全,村田扶實子,大葉健二

  大映が初めて手掛けた、1965年制作の本格怪獣映畫『ガメラ』シリーズ第1作。監(jiān)督は、湯淺憲明。北極海上で原爆を積んだ國籍不明機が米軍機によって撃墜され、氷山に墜落した。このため、積んでいた原爆は爆発、氷山に閉じ込められていたエスキモーの伝説の怪獣ガメラが蘇った。巨大な亀怪獣ガメラはその後姿を消し、入れ替わるかのように世界中で謎の空飛ぶ円盤が目撃される。人々の関心が空飛ぶ円盤に移り、ガメラのことが忘れられた頃、再びガメラが北海道にその姿を現(xiàn)した。自衛(wèi)隊の作戦で仰向けにひっくり返されたガメラ。起き上がることの出來ないガメラに、人々は勝利を確信するが???。

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.