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加里·奧德曼,科林·費爾斯,湯姆·哈迪,約翰·赫特,托比·瓊斯,馬克·斯特朗,本尼迪克特·康伯巴奇,塞倫·希德,大衛(wèi)·丹席克冷戰(zhàn)時,全球兩大特工組織——俄羅斯“中心”與英國“圓場”明爭暗斗。特工遇害,高層震怒,責成“圓場”挖出“地鼠”。懷疑對象共有5人,即圓場上任“老總”命名的鍋匠,裁縫,士兵,窮人,乞丐。其中,金盆洗手的“乞丐”喬治·史邁利(加里·奧德曼 Gary Oldman 飾)本來有重大嫌疑。某日,行動組-剝頭皮組頭目的彼得·吉勒姆(本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾)與英國內(nèi)閣辦公室諜報總監(jiān)拉康排除了史邁利的嫌疑,令其重新出山,負責挖出“地鼠”。于是,史邁利開始分別走訪故人,調(diào)查“圓場”老大阿勒萊恩,裁縫-比爾·海頓(科林·費斯 Colin Firth 飾),士兵-掌管東歐事務(wù)的資深間諜羅?!げ继m德,窮人-后勤部門點路燈組組長托比·伊斯特哈斯。一時間,圓場疑云密布,人人自危,究竟誰才是“地鼠”…… 本片本片根據(jù)約翰·勒卡雷的同名小說改編。片名來自英國民間的“鵝媽媽童謠集”。
情圣3
肖央,譚卓,喬杉,常遠,張小婉,代樂樂,艾倫,王成思,范湉湉,李思博,劉大鎖,馮滿,小沈陽,王迅,瑪瑙一場信任危機,讓田紹基(肖央 飾)和邵美珍(譚卓 飾)本就平淡的婚姻生活再次雪上加霜,陰差陽錯下兩人整活兒不斷,花招不停,好兄弟甘火旺(喬杉 飾)也來神助攻,“愛情三十六計”輪番登場!一連串好戲接連上演,情場大戰(zhàn)大爆笑!
異變者
綾野剛,成田凌,岸井雪乃,石井杏奈,內(nèi)野圣陽一位無家可歸的失憶男子接受一場實驗性醫(yī)學手術(shù),術(shù)后醒來發(fā)現(xiàn)自己獲得新的能力,可以看穿人們內(nèi)心最深處的傷痛,真實和幻象之間的界線也因而模糊難辨。
瀟灑先生
鄭則仕,關(guān)之琳,戚美珍,張國強,樓南光,柏安妮,焦姣,成奎安,陸劍明,曹建南,龍?zhí)焐?劉錫賢,葉偉信,勞劍華,黃一飛,許英秀,劉玉婷,許思敏,陳穎芝 ,黃雄瀟灑是一個船員,整天在海上漂泊,一去就是幾個月,他的媽媽和小妹阿珍都很擔心他。一天,瀟灑回到家,妹妹非常驚喜,可是他的媽媽并不開心,覺得他沒有出息。瀟灑很是委屈,于是借酒消愁。阿珍和她的媽媽靠開小店為生,每天,早晨都有很多出租司機來照顧她們的生意,其中有一位司機阿光對阿珍有意思,經(jīng)常來幫助她們。一天,政府通知他們,房子半年后要撤,但是他們一時又拿不出錢去買新的房子,為了籌錢,于是一家人在阿光的幫助……
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.