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看不見的守護者
瑪爾塔·埃圖拉,埃爾薇拉·明戈斯,Patricia López西班牙驚悚片。根據(jù)西班牙懸疑推理小說家多洛蕾絲·雷東多的代表作巴斯坦三部曲之《隱形守護者》，這是近年來西班牙最轟動的犯罪懸疑小說，比《沉默的羔羊》《犯罪心理》更驚悚，已經(jīng)高踞西班牙暢銷書排行榜長達三年之久，講述巴斯克地區(qū)的一起連環(huán)殺人案。一名曾受過聯(lián)邦調(diào)查局訓練的警察回到位于納瓦拉的家鄉(xiāng)，追捕一名專以當?shù)厍嗌倌隇槟繕说臍⑹?，還得面對自己過去的心理創(chuàng)
鐵血戰(zhàn)士：殺戮之地
艾麗·范寧,迪米特里烏斯·舒斯特-科洛阿瑪坦吉跟隨一位被部落放逐的年輕鐵血戰(zhàn)士，深入一片連宇宙頂級獵手都聞風喪膽的險惡之地。在那里，他將與維蘭德-湯谷公司制造的仿生人希雅（Thia）意外結(jié)盟，這位僅存上半身的仿生人，將與他共同踏上尋找終極對手的冒險征途。當“菜鳥”鐵血初次狩獵便陷入最嚴酷的試煉，一步行差踏錯即刻墜入無可挽回的深淵，唯有浴血廝殺，才能在絕境中爭得一線生機。而這場終極較量也將顛覆鐵血戰(zhàn)士的狩獵法則——生存并非勝利的終點，而是通往更殘酷考驗的開始。
誤人子弟
林海峰,黃秋生,徐子淇,張達明,伍詠薇,葉廣儉,蘭茜阿林（林海峰 飾）一直以來都夢想著能夠手執(zhí)教鞭站上講臺成為教書育人的老師。如今，他的理想終于成為了現(xiàn)實，可是直到此時，他才發(fā)現(xiàn)，現(xiàn)實是如此的枯燥和殘酷。阿林每日要面對的是調(diào)皮的學生和機械化的教學任務(wù)，沒過多久，阿林的熱忱和理想就完全的被磨滅了。 阿黃（黃秋生 飾）是阿林的同事兼好友，身為單身爸爸的他和五歲的兒子過著相依為命的生活。某日，學校里新調(diào)來了漂亮開朗的李老師（徐子淇 飾），李老師的出現(xiàn)讓阿林和阿黃在蒼白的生活里看到了新的色彩。阿林和阿黃同時喜歡上了李老師，但得知了阿黃的心意，阿林決定默默的退出。
深度安靜
張孝全,林依晨,金士杰,丁寧,陳季霞,馬志翔,蔡亙晏,孟克柔影片改編自林秀赫同名短篇小說。講述諭明與依庭相遇于大學圖書館里的深度安靜區(qū)，兩人相愛并走入婚姻，正期待迎接第一個孩子。然而，依庭的意外自殺讓諭明陷入混亂與痛苦。他想起依庭在懷孕后變得異常，甚至提出離婚。自責的諭明照顧起依庭的家人，透過深入了解她的家庭后，開始理解她的行徑，以及她無法面對自己父親的原因，真相卻讓人難以接受。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
復仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita杰弗里和莎拉是一對通奸的夫婦，他們謀殺的合法妻子索菲亞的尸體從太平間神秘消失后，他們拼命地尋找不在場證明。警探阿里亞·普拉達納竭盡全力，試圖揭開真相。尸體復活是為了向兇手復仇嗎？