不良少女:野良貓的性春

惡戰(zhàn)2025

活到最後才有繼承權(quán)資格…背叛、猜疑和貪婪交織！一場(chǎng)災(zāi)難性的運(yùn)鈔行動(dòng)後，三噸貨物運(yùn)抵目的地，但所有現(xiàn)金卻不翼而飛，幫派內(nèi)部一片混亂。老大身亡，死於內(nèi)部背叛和謀殺，幫派的得力幹將克萊奧挺身而出，誓要揭開真相，隨著真相逐漸浮出水面，一張由背叛、猜疑和貪婪交織而成的錯(cuò)綜複雜的網(wǎng)也隨之浮現(xiàn)。

箭下的約翰娜

三個(gè)兄弟姐妹制作了一個(gè)騎士般的人物，結(jié)果卻射出了一連串的箭。隨著季節(jié)的推移，我們觀察了他們的生活，因?yàn)樗麄兌荚诮ㄔ旌筒鸪麄儽普娴淖髌贰?/p>

昭和殘俠傳

　　出演 : 高倉?。夭苛迹锛炎樱煞胶霕洌穼m辰夫／菅原謙二／室田日出男　　監(jiān)督 : 佐伯清　　終戦直後の淺草。戦地から戻った神津組の寺島は、露天商街の縄張り?duì)帳い樾抡\會(huì)と対立。やがて縄張り?duì)帳い霞せ?、寺島は客人の風(fēng)間と共に新誠會(huì)に毆り込みをかける…?！　「邆}健の主演で人気を博した「昭和殘俠伝」シリーズの第1作目。敵方の青年との対立と不思議な友情を交え、若き熱血親分の活躍を描く娯楽任俠映畫。瓦礫だらけの街から、悪を根絶やしにするため、熾烈な戦いが繰り広げられる。ヒロインは三田佳子。シリーズに欠かせない池辺良もいい味を出している。毆り込みのシーンで流れる、高倉健自らが歌う「唐獅子牡丹」も大ヒットした。

天山玉女劍

 該劇主要講述了古代傳奇女俠李四娘的一段經(jīng)歷。揮劍斷水,水更流,血濺四方,收刀看山,山在天,玉女情仇。 明嘉歷年間,從長白山到廣東參加武林大會(huì)的武林頂尖高手敖龍帶著師弟王虎,在客棧輕易擊敗“山西五虎”，得到暗中觀看的客棧老板娘李四娘的親膩，敖龍經(jīng)不起媚香軟骨、自投羅網(wǎng)的與李四娘一夜快活風(fēng)流......次日，敖龍帶領(lǐng)徒兒到玉女山莊找到莊主楊夫人報(bào)兩年前的 之仇，一翻驚心動(dòng)魄的打斗后，最后師弟王虎感覺事有蹊蹺，即提出在武林大會(huì)中解決兩家的仇怨。 武林大會(huì)在盟主齊大俠的主持下進(jìn)行，敖龍此時(shí)并沒有在大會(huì)上提出與楊夫人的仇怨，使楊夫人頓感詫異。而有兩個(gè)為家中雞鴨偷搶的人來到武林大會(huì)要求解決，齊大俠頓時(shí)感到殺機(jī)重重一場(chǎng)武林浩劫可能即將到來。夜間晚宴，果然有人提出重選新盟主，武林群雄力推齊大俠連任，只有敖龍反對(duì)，導(dǎo)致所有人不歡而散，群雄聚宴，酒后的李四娘不惜肌膚相親、百般挑逗引誘少林大師，讓大師神魂顛倒......此舉恰被一道姑瞅到，頓然芳心蕩漾、意亂魂迷，大膽飛紙傳情約大師林中風(fēng)流......當(dāng)晚，敖龍與李四娘合謀用計(jì)在客棧將齊大俠害死，搶走“秘籍”，并嫁禍楊夫人。師弟王虎出于仁義，決心幫助楊夫人。楊夫人的老公楊充見王虎與自己老婆接角頻，頓起疑心，暗中監(jiān)視。恰恰王虎誤入閏房撞見在洗浴中的楊夫人......被楊充當(dāng)場(chǎng)遇到，楊充急火沖天，一氣之下挾女兒憤然離開山莊，那知半路被走火入魔的敖龍擒住。一場(chǎng)郊外的血腥混戰(zhàn)，讓本不平靜的江湖再掀風(fēng)云，武林的浩劫終于爆發(fā)了.........

阿凡達(dá)：火與燼

　　影片聚焦杰克·薩利與奈蒂莉一家的命運(yùn)起伏，在前作的情感余波之上，深刻描繪一個(gè)家族在戰(zhàn)火中如何成長、并共同守護(hù)血脈相連的情感紐帶的歷程，從而將故事推向更具張力的全新維度。此外，潘多拉的全新領(lǐng)域也即將揭曉——觀眾將首次邂逅“風(fēng)之商人”這個(gè)崇尚和平的全新游牧民族，他們乘坐獨(dú)特的浮空生物飛船穿梭于各部落間，交易貨物、傳遞信息。　　而更具顛覆性的是“灰燼族”的登場(chǎng)，這個(gè)以掠奪為生、性情兇猛的族群，與大地之母愛娃之間有著深刻的矛盾。他們的出現(xiàn)，將撕開潘多拉不為人知的黑暗傳說。當(dāng)弒親之仇與部落恩怨交織，潘多拉的命運(yùn)懸于一線——在這場(chǎng)跨文明的復(fù)仇之戰(zhàn)中，人類與納威族將如何抉擇，才能真正守護(hù)各自的家園與未來？

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.