即刻觀影
劇情賞析
編輯推薦
刀馬旦
鐘楚紅,林青霞,葉倩文,鄭浩南,午馬,張國強,秦沛,谷峰,曾江,吳君如民初時代國家動蕩不安，軍閥割據(jù)導致民不聊生。曹云(林青霞飾)是大軍閥曹將軍的女兒，也是一個愛國者。但是不愿見到父親幫助袁世凱以國家的名義向外國銀行借貸巨款，讓國家的財務更雪上加霜，于是偷偷與革命人士聯(lián)絡。但是一邊是國家，一邊是父親也讓曹云不知如何取舍而陷入內心的掙扎。白妞(葉倩文飾)從小在戲班春和班長大，被戲班主的父親（午馬飾）當作丫環(huán)使，癡迷唱戲的她一直希望登臺表演，卻沒有機會；湘紅(鐘楚紅飾)是一位貪財?shù)母杓?，趁某軍閥逃跑時偷走其家中一大箱珠寶，卻誤打誤撞讓珠寶運進了春和班里。這三位在姻緣巧合下結識，透過這三位主角的生命交錯，共同譜出一段愛國傳奇......
遮天劇場版背棺戰(zhàn)王騰
葉凡與王騰雙天驕宿命對決，北原王家來勢洶洶，姬家老祖心懷鬼胎，姬紫月淪為家族聯(lián)姻工具，葉凡身陷眾矢之的?；墓攀ンw碰撞亂古傳承，誰才具真正大帝之姿？
利刃之刀鋒戰(zhàn)士
魏小歡,張博楠,馬暢,劉冰講述的是程崗所在的特警隊在局長陳海安的運籌帷幄下，與黃贊為首的走私犯罪集團斗智斗勇，最后將犯罪分子一網打盡的故事。展現(xiàn)了以程崗、沈欣為代表的特警，為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻。
愛爾蘭式告別
米歇爾·費爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉Set against the backdrop of a working farm in rural Northern Ireland, 'An Irish Goodbye' is a black comedy following the reunion of estranged brothers Turlough (Seamus O’Hara) and Lorcan (James Martin) following the untimely death of their mother (Michelle Fairley).Under the watchful eye of odd-ball parish priest Father O’Shea (Paddy Jenkins), the brothers’ pained reunion is worsened by the fact Turlough must now make new care arrangements for Lorcan, who has Down Syndrome. But when the brothers discover an unfulfilled bucket list belonging to their late mother, Lorcan senses an opportunity: he’ll only agree to leave the farm once he and Turlough have themselves completed every single wish on their mother’s list…all one-hundred of them.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
自殺森林
娜塔莉·多默爾,泰勒·金尼,歐文·馬肯,斯蒂芬妮·沃格特,小澤征悅,Rina Takasaki,櫻井北子,Y?ho Yamashita,藤本政志生活在美國的莎拉·普斯（娜塔莉·多默爾 Natalie Dormer 飾）近日來心神不寧，她有一個孿生妹妹杰西（娜塔莉?多默爾 Natalie Dormer 飾）在日本擔任外教。然而杰西突然下落不明，莎拉拜托山梨縣警方幫助搜查，最終得到的結果是杰西可能進入了擁有“自殺勝地”之稱的青木原森林自我了斷。莎拉絕不認同警方的推測，她不顧男朋友的阻攔，獨自踏上前往日本的旅途。她最先來到了妹妹任教的學校，在調查未果之后乘上了前往青木原森林的列車。他人的勸阻無法攔住莎拉的腳步，她朝向森林深處走去?！ ≡谶@一過程中，恐怖詭異的經歷交替襲來……