一個(gè)可疑的員工

評(píng)分：9.9 播放：04萬(wàn) 更新：2026-05-11
主演： Employee winners 

別名: 一個(gè)可疑的人 / A Suspicious Employees / 員工大贏家 　　

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拼桌

王傳君,江疏影,李雪琴,鄭云龍,傅首爾,劉佳,王彩平,杜家毅,吳冕,白舉綱,老四,田小潔,羅海瓊,齊溪,許齡月,葵葵

對(duì)美食有著獨(dú)特見(jiàn)解的“碼農(nóng)”陸拾谷（王傳君 飾），與經(jīng)常用美食治愈生活的圖書(shū)編輯張嘉怡（江疏影 飾），因午飯時(shí)的拼桌意外結(jié)識(shí)，在一起尋找更多美味的經(jīng)歷下，兩人逐漸成為彼此味覺(jué)和心意相投的“飯搭子”。陸拾谷默默按照母親的心意生活、工作，可心中卻翻涌著無(wú)限波濤，張嘉怡的圖書(shū)編輯工作、感情生活紛紛遇到瓶頸，在都市的煙火氣，牛馬打工人的迷茫中，拾谷與嘉怡最終會(huì)在味蕾與真心的指引下如何完成自我的成長(zhǎng)？二人間又會(huì)產(chǎn)生怎樣宿命般的羈絆？一道色香味俱全的真香菜肴只待觀眾“嘗鮮”！

超乎想象2

丹尼斯·奎德,阿莉爾·凱貝爾,米洛·文堤米利亞,索菲亞·斯凱爾頓,喬比·詹姆斯,特雷斯·阿德金斯,約書(shū)亞·巴塞特,安赫拉·約翰遜,杰森·伯基,Del Sable,艾比·格洛弗,薩米·戴爾,妮可兒·德伯特,蘭迪·麥克道維爾

 Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.

鋼鐵少女

明日花綺羅,秋山莉奈,城戸裕次,栩原樂(lè)人,古原靖久,虎牙光揮

　　セクシー女優(yōu)の明日花キララが主演するアクション。無(wú)法者の集団「クレイジードッグス」が支配する村に、人間の身體能力を超越した力を発揮する特殊な強(qiáng)化スーツに身を包んだ美女「アイアンガール」が現(xiàn)れる。アイアンガールは失った過(guò)去の記憶を探して旅しており、村の古文書(shū)には「鉄の救世主が村の危機(jī)を救う」と記されていた。アイアンガールを伝説の存在と信じた村人たちは、クレイジードッグスと戦うため立ち上がるが、その戦いの中で意外な真実が明らかになる。音楽を人気バンド「CASCADE」のMASASHIが擔(dān)當(dāng)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.