羔羊-醫(yī)生

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

午夜的太陽(yáng)

該片翻拍自2006年上映的同名日本電影，講述罹患罕見(jiàn)疾病——XP色素性干皮癥的女主因?yàn)槠つw不能接受陽(yáng)光照射，否則將出現(xiàn)生命危險(xiǎn)。從此白天與之無(wú)緣，只能終日躲在家中，唯一的樂(lè)趣也只是趁著夜晚踱到車(chē)站廣場(chǎng)唱著自己喜愛(ài)的歌。在這一過(guò)程中，女主漸漸喜歡上時(shí)常路過(guò)車(chē)站的沖浪男孩的愛(ài)情故事。

春閨風(fēng)月

 故事發(fā)生在車(chē)水馬龍的大都市紐約，杰瑞（加里·格蘭特 Cary Grant 飾）和露西（艾琳·鄧恩 Irene Dunne 飾）是一對(duì)感情十分要好的夫妻，兩人時(shí)常結(jié)伴出入上流人士所舉辦的高端晚宴之中，生活極盡奢華，但隨著時(shí)間的推移，這表面幸福的婚姻生活終究還是出現(xiàn)了裂痕，杰瑞和露西決定離婚。在兩人分開(kāi)之后，杰瑞邂逅了富有而又美麗的遺孀芭芭拉（莫莉·拉蒙特 Molly Lamont 飾），露西則傍上了石油大亨丹尼爾（拉爾夫·貝拉米 Ralph Bellamy 飾），可尋找到了各自幸福的兩人卻并不能相安無(wú)事，正相反，他們開(kāi)始想方設(shè)法的破壞和阻撓對(duì)方的情感關(guān)系，就此引出了一系列荒誕可笑的意外。

痊愈

　　一個(gè)隱蔽的海洛因治療中心的病人和工作人員必須與他們自己的惡魔進(jìn)行戰(zhàn)斗，因?yàn)橐粋€(gè)神秘的殺手開(kāi)始一個(gè)接一個(gè)地把他們抓走。

賭俠1999

　　阿king（劉德華 飾）當(dāng)年因出千被捕，事實(shí)上他是被人陷害的。出獄時(shí)他為他接風(fēng)的是崇拜他已久的化骨龍（張家輝 飾），化骨龍是個(gè)終日無(wú)所事事的人，希望能跟著king有所作為。出獄后的king到處尋找已懷孕的妻子（張慧儀 飾），與當(dāng)日的得力助手（張錦程 飾），　　后來(lái)King與化骨龍妹妹晴（朱茵 飾）產(chǎn)生了好感?！　ing得到Rocky（吳志雄 飾）的幫助上了賭船，碰見(jiàn)了多年前便想交手的馬交文（高捷 飾），king想與之一決高低，卻遭到馬交文的手下省鏡（李子雄 飾）陷害，揭開(kāi)了king的底細(xì)更想進(jìn)一步迫害king，king又能否躲過(guò)劫數(shù)呢？

被撓

　　網(wǎng)絡(luò)上流傳著關(guān)于“撓癢”的神秘競(jìng)技，一個(gè)同志想?yún)⑴c這場(chǎng)“撓癢癢大賽”卻被告知此運(yùn)動(dòng)僅限直男。記者大衛(wèi)·法里爾(David Farrier)深入探尋后發(fā)現(xiàn)“撓癢”的背后是一條完整的灰色產(chǎn)業(yè)鏈，這其中不僅有撓癢視頻的制作方對(duì)演員的壓榨與侵害，甚至還能看到美國(guó)由金錢(qián)操縱的階級(jí)制度的冰山 一角。 本片曾獲得2016年第32界圣丹斯電影節(jié)世界電影單元紀(jì)錄片評(píng)審團(tuán)大獎(jiǎng)提名?！　∫粓?chǎng)“撓癢”的運(yùn)動(dòng)，卻讓人笑不 出來(lái)。

致我的青春