純真與欲望

　　樸信陽飾演父親車勝道（音譯），李民基（李暋起）飾演潘神父（姓為音譯）。　　該片講述在為女兒舉辦葬禮的三天時(shí)間中，與寄生在死去女兒心臟中突然蘇醒的惡魔進(jìn)行斗爭的超自然電影。

　　《職場大翻身》改編自李慧林的同名小說，曾執(zhí)導(dǎo)過《創(chuàng)可貼》的導(dǎo)演鄭基勛親自改寫了劇本并執(zhí)導(dǎo)，聯(lián)同演技級(jí)人馬演員鄭在泳、新生代人氣女星樸寶英、老戲骨吳達(dá)秀、裴成宇、柳德煥等實(shí)力派連袂主演。電影講述一名體育報(bào)社演藝部記者在采訪現(xiàn)場孤軍奮戰(zhàn)的成長故事。電影中樸寶英飾演的新人實(shí)習(xí)記者「杜麗熙」在報(bào)道娛樂事件的過程中卷入新聞的漩渦而逐漸鍛煉成長。鄭在泳飾演的是樸寶英的上級(jí)「河在觀」，是娛樂部的「定時(shí)炮彈」不知道何時(shí)就會(huì)「爆炸」，兩人會(huì)有怎樣的合作火花也令影迷非常期待?！　《披愇酰銓氂棧┦巧鐣?huì)新鮮人的代表，為了在戰(zhàn)場一樣的職場中生存下來而絞盡腦汁費(fèi)勁心理，然而卻因?yàn)闆]有經(jīng)驗(yàn)而屢屢闖禍。她夢(mèng)想著成為成功職場女性，高喊著有熱情就有一切的口號(hào)，然而現(xiàn)實(shí)卻是手里的每件事都搞砸。杜麗熙作為見習(xí)記者開始了工作，本以為只要進(jìn)了公司人生就會(huì)變得一帆風(fēng)順，但她卻遇到了像“定時(shí)炸彈”一樣的上司（鄭在泳飾），第一天上班就被安排出去外采，什么都不懂的她只能跌跌撞撞地自己摸索，而意料之外的種種困難讓她想到辭職。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　20世紀(jì)30年代，戰(zhàn)爭的幽靈盤桓世界上空。納粹相信妖術(shù)可以幫助他們邁向勝利，于是派出手下四處尋找便捷的“治世良方”。1936年，在美國西弗吉尼亞的一個(gè)偏僻鄉(xiāng)村復(fù)仇溪，誠實(shí)善良的沃爾納一家迎來一名不速之客。隸屬于北美地區(qū)德國遺產(chǎn)學(xué)術(shù)委員會(huì)的理查德·沃斯博士（Michael Fassbender 飾）來到這里，借住在沃爾納家。一家人雖然心有惴惴，不過看在錢的份上欣然接納沃斯博士，并對(duì)其表現(xiàn)出誠摯的熱情，卻不曾想對(duì)方帶來了難以置信的災(zāi)難。　　2007年，警察伊萬·馬歇爾（Henry Cavill 飾）生活正陷入困境。他的哥哥維克多（Dominic Purcell 飾）一度消失。當(dāng)他以為兄長已死時(shí)，維克多卻突然出現(xiàn)，帶著弟弟來到復(fù)仇溪。維克多究竟經(jīng)歷了怎樣的磨難？這與30年代沃爾納一家的遭遇又有什么關(guān)聯(lián)？