羅馬帝國艷情史 Caligula

7.3 播放:26萬 2026-05-12

公元37年,顯赫一時的羅馬帝國開始進入最為淫靡黑暗的時期。77歲的老皇帝提比略(Peter O'Toole 飾)殘暴昏聵,陰森惡毒,而他的繼任者卡里古拉(Malcolm McDowell 飾)則有過之而無不及。卡里古拉是提比略的養(yǎng)孫,他長期與妹妹朱西拉(Teresa A nn Savoy 飾)私通,在位期間以殘酷的手段殺害百姓和大臣,并因此取樂。為了鞏固政權(quán),他更殺害自己的弟弟以及曾幫助他謀取皇位的衛(wèi)隊長馬克(Guido Mannari 飾)。他愛誰?恨誰?似乎永不明了,只有無盡的欲望與探念將那人性不斷吞噬,連同生命消亡殆盡……

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正義救贖

高駿,張敏

莉莉聯(lián)合男友二毛假綁架騙父王總200萬,同伙實為遭她當年陷害的前男友大頭,其目的是報復。交易前夕三方因各懷鬼胎爭斗,王總趕到救下莉莉,參與假綁架者皆因貪欲將面臨法律制裁,警示莫因欲望犯錯。

分裂: 黑色子彈

山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凱倫·霍爾尼斯,多隆·貝爾,Porsha Pointner,莎倫·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凱利

  對警察槍擊、種族主義和他們共同的聯(lián)系進行原始的、毫無歉意的審視。沒有說明我們知道答案,但不害怕直接提問。

會長的貼身?;?/h3>馮芷墨,熊蘇藝

  單均銘為了保護母親一手創(chuàng)辦的成人皇家藝術學院不被拆遷建成商業(yè)街,收購了學校。準備對學校進行維護加建,卻遭到了誤以為他要拆學校的顧婉婉的強烈阻攔。單均銘為了不讓顧婉婉影響他對學校的改造進度,強行將顧婉婉留在身邊,讓她沒時間搗亂。 兩人卻在相處的過程中互相吸引,單均銘發(fā)現(xiàn)自己愛上了顧婉婉,準備向顧婉婉告白。 告白前夕,單均銘意外發(fā)現(xiàn)了顧婉婉就是五年前那個戲弄了他的感情,還間接害他聽力受損,不得不放棄學習音樂的人。單均銘決定報復顧婉婉。 直到顧婉婉傷心離開,單均銘才發(fā)現(xiàn)不管是五年前還是五年后,一切的事情,都是莊美言的設計,他誤會了顧婉婉。單均銘恍然大悟,最終找回了顧婉婉。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

啄木鳥和雨

役所廣司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努

  寧靜的山村進入雨季。村中的老伐木工人岸克彥(役所廣司 飾)為人古板,與兒子關系緊張。他在上工途中給東京來的新人導演田邊幸一(小栗旬 飾)和副導演帶路,由此被拉入一部喪尸電影的外景拍攝。在被迫充當臨時演員后,克彥竟對電影產(chǎn)生了微妙的興趣,他開始不請自來的幫助攝制組與村民溝通,開展工作,甚至忽略了本職與妻子的忌日?! ⊥蝗魂J入的攝制組擾亂了山村的平靜和克彥的生活,也改變了導演幸一自身。幸一生性靦腆缺乏自信,在攝制組中毫無威信。偶然間他發(fā)現(xiàn)自己的喪尸劇本竟為克彥所欣賞,不禁大受鼓舞,兩人在數(shù)次的泡澡時間里進行了奇妙的溝通。在克彥的幫助下,幸一慢慢樹立了自信,電影拍攝也步入正軌。然而臨關機前的一場瓢潑大雨再次令拍攝陷入危機,克彥的缺席也令幸一惶恐無措起來……  影片獲第24屆東京國際電影節(jié)評委會大獎。片中兩位主演役所廣司和小栗旬在現(xiàn)實中亦均擔任過導演。

唱歌的六個女人

竹野內(nèi)豐,山田孝之,水川麻美,アオイヤマダ,服部樹咲,萩原實里,桃果,武田玲奈,津田寬治,白川和子,竹中直人

  萱島(竹野內(nèi)豐)收到父親的訃告回到故鄉(xiāng),從萱島的父親那里繼承土地的宇和島(山田孝之)與他一起,在山路上開車行駛時遭遇了意外事故。兩人醒來時,發(fā)現(xiàn)自己身處森林深處,被六個美麗的女人監(jiān)禁著。