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Henning暫無內容is暫無內容a暫無內容fashion暫無內容photographer暫無內容driven暫無內容by暫無內容visions暫無內容of暫無內容artistic暫無內容glory.暫無內容He暫無內容is暫無內容encouraged暫無內容by暫無內容a暫無內容literary暫無內容agent暫無內容to暫無內容produce暫無內容a暫無內容volume暫無內容of暫無內容erotic暫無內容nudes暫無內容and暫無內容works暫無內容to暫無內容create暫無內容the暫無內容perfect暫無內容layout暫無內容with暫無內容his暫無內容favorite暫無內容model,暫無內容Leslie.暫無內容All暫無內容seems暫無內容to暫無內容be暫無內容going暫無內容well暫無內容until暫無內容the暫無內容mysterious暫無內容Joyce暫無內容appears;暫無內容dark暫無內容and暫無內容sensual,暫無內容Joyce暫無內容plays暫無內容games暫無內容with暫無內容the暫無內容photographer's暫無內容ego,暫無內容driving暫無內容a暫無內容wedge暫無內容between暫無內容Henning暫無內容and暫無內容...
暗夜精選
我是自愿讓他殺了我
蔡淑臻,鄭人碩,薛仕凌,余晉,尹昭德,趙逸嵐,阮柏皓,蔡承邑一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,理查德·哈蒙,邁克爾·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科圖,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,烏戈·雷蒙多,艾普爾·特萊克頂級陰謀
Anders W. Berthelsen,Maria Bonnevie,Ghita N?rby,Henning Jensen,Lars Mikkelsen時裝
安吉麗娜·朱莉,阿尼爾·阿內伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮精靈寶可夢：去往超克的時空
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,西村千奈美,雪野五月,小西克幸,阪口大助,伊東美彌子,古島清孝,藤本讓,岸祐二,熊井統(tǒng)子,真堂圭,三宅健太,逢坂力,中西英樹,川上貴史,傳坂勉,寺谷美香,米澤圓,石冢運升,秋山龍次,馬場裕之,山本博,高島政宏,中川翔子,山寺宏一,北乃綺,美輪明宏柏林危機
湯姆·弗拉席亞,瑪莎 萊奧妮 巴赫,肯·杜肯,理查德·艾沃特,艾米莉·普拉斯-琳克,基達·拉馬丹,蒂姆·維爾德忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus Kuncoro同系列推薦
奇跡夢之隊
凱萊布·麥克勞克林,加布里埃爾·尤尼恩,斯蒂芬·庫里,妮可拉·考夫蘭,尼克·克羅爾,大衛(wèi)·哈伯,詹妮弗·路易斯,帕頓·奧斯瓦爾特,Jelly Roll,亞倫·皮埃爾,鮑比·李,安德魯·桑提諾,雪莉·可拉,愛德華多·弗蘭科,詹妮弗·哈德森,阿伊莎·庫里沖破鐵幕
保羅·紐曼,朱莉·安德魯斯,麗拉·柯卓娃,漢斯約格·費爾麥破壞欲
琳娜·海蒂,理查德·詹金斯,米歇爾·鄧肯,烏爾里奇·湯姆森,梅爾維爾·珀波,阿斯爾·紐曼午夜微博
鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬幻視
南奎麗,李天熙,李奎翰,東鉉培,金宰范,鄭恩星,薛智允,崔大成,金光炫,吳雅琳,趙漢善,鄭敬淏玩具熊的五夜后宮：紫色的淚
Bomber Hurley Smith幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
葬送
A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.