青春

評(píng)分:3.6 播放:26萬(wàn) 更新:2026-05-11

正讀高三的志孝(金來(lái)沅飾)從首爾轉(zhuǎn)校來(lái),就與美麗的女學(xué)生漢娜(尹智慧飾)談起了戀愛。熱戀中的兩人發(fā)生了關(guān)系,可是兩人的關(guān)系并沒有進(jìn)一步發(fā)展,而是深感不安。志孝因此有意無(wú)意的躲著漢娜,受到冷落的漢娜也十分傷心。沒想到漢娜竟然用死來(lái)讓男友永遠(yuǎn)記住自己。暫無(wú)內(nèi)容;此后,志孝開始對(duì)男歡女愛感到反感,越來(lái)越放縱自己了。志孝的好友蘇永(金正鉉飾)深深喜歡上了自己的老師,但老師與學(xué)生之間的鴻溝太大了。長(zhǎng)大后的兩人,有著各異的性格與各異的生活態(tài)度。

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

Y計(jì)劃

韓韶禧,全鐘瑞,金新綠,鄭英珠,金圣喆,李在均,柳始我

人生低谷迫使兩位女子偷盜數(shù)百萬(wàn)黃金——這是他們?nèi)松凶詈笠淮紊镭P(guān)的冒險(xiǎn)。                                                                        美善(Mi Seon)和道靜(Do Gyeong)或許早已習(xí)慣在首爾江南區(qū)最危險(xiǎn)的地段掙扎求生,但這并不意味著她們已經(jīng)安于此地。除了彼此之外,兩位好友只能拼命攢錢,想要擺脫危險(xiǎn)的生活方式。然而,就在“退休”指日可待之際,世界卻背叛了她們,粉碎了她們的希望。在絕路邊緣,她們?cè)诮蠀^(qū)發(fā)現(xiàn)了一筆隱藏的財(cái)富,其中包括贓款和黃金——并將所有賭注押在了人生中最后一次豪賭上。

多莉

法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊?!ぬK普利,西恩·威廉·斯科特,Max the Impaler

 瑪西,一位年輕女子,被一個(gè)面目猙獰的怪物擄走,這個(gè)怪物一心要把她當(dāng)作自己的孩子撫養(yǎng)長(zhǎng)大。

食人豬

嚴(yán)泰雄,鄭有美,張恒善,尹宰文

  位于韓國(guó)某山區(qū)的智翼村,是一座號(hào)稱零犯罪村的旅游勝地。每到假期或周末,全國(guó)各地的游客云集于此,享受難得的快樂生活。為了吸引更多的游客,智翼村相繼開發(fā)了高爾夫球場(chǎng)合周末農(nóng)場(chǎng),為此砍伐了大量的原始叢林。野生動(dòng)物的生存環(huán)境遭到破壞,加上偷獵者的侵?jǐn)_,野豬數(shù)量急劇減少。為了生存,野豬開始挖掘人類的墳?zāi)梗惺墒w,由此對(duì)人肉產(chǎn)生了濃厚的興趣?! ∧程?,村中一名獵人孫女的尸體被人發(fā)現(xiàn),她的尸體破碎不堪,只留下頭顱。經(jīng)法醫(yī)鑒定和老獵人的觀察,這起慘案系一頭是人野豬所為。在此之后,武裝精良的獵人們來(lái)到智翼村,人獸的戰(zhàn)爭(zhēng)漸次白熱化……