年輕的小姨子

　　縱橫江湖二十年的黑幫大佬任因久（梁家輝 飾）樹敵無(wú)數(shù)，因此屢遭他人暗算，并得知有人要在24小時(shí)內(nèi)取他性命。任因久即刻以“江湖告急”的名義，傳令召開江湖大會(huì)，勢(shì)必找出誰(shuí)要害他。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　因童年的玩伴去世，貝絲·潘特森（Gabrielle Anwar 飾）、布萊特·塞克斯（富蘭克·威利 Frank Whaley 飾）、珍妮弗·瓊斯（迪娜·梅爾 Dina Meyer 飾）、萊爾·戴伊（George Newbern 飾）、金娜·康特（翠?！ち_茲 Traci Lords 飾）和韋恩·默瑞森（Dan DeLuca 飾）等6名好友重新聚首。他們?cè)谝凰幧墓聝涸簝?nèi)長(zhǎng)大，并共同擁有著難以忘懷的恐怖回憶。他們?cè)诠视训臅績(jī)?nèi)發(fā)現(xiàn)留給他們的遺書和地圖，按照上面的指示眾人來(lái)至一處偏僻所在，卻在地圖標(biāo)注的地點(diǎn)找到一具高度腐爛的兒童尸體?！　』炭值谋娙蓑?qū)車逃離，然而迷失了來(lái)路，最終找到一幢廢棄空蕩的白色別墅落腳。至此，童年的秘密慢慢揭開，死神的腳步聲也越來(lái)越近……

 喜劇演員艾維·辛格（伍迪·艾倫 Woody Allen 飾）是這樣一個(gè)人：非常介意自己的猶太人的出身；自認(rèn)為有童年陰影，看了十六年心理醫(yī)生沒見好轉(zhuǎn)卻一直付錢看；有點(diǎn)阿Q精神，但對(duì)人生卻充滿消極；喜歡一直講無(wú)聊的笑話。正因?yàn)樽陨淼纳窠?jīng)質(zhì)特質(zhì)，艾維經(jīng)歷了兩次失敗的婚姻。艾維 遇到了安妮（黛安·基頓 Diane Keaton 飾）――一直夢(mèng)想成為歌星的女孩，兩人漸漸墮入愛河。安妮在艾維的幫助下歌唱技巧迅速提高，但她的父母卻反對(duì)她與艾維來(lái)往。安妮得到了唱片商托尼的注意，獲邀前往好萊塢灌錄唱片，艾維跟著前往了好萊塢向安妮求婚。