影片推薦
肥龍過江
甄子丹,毛舜筠,周勵淇,王晶,林秋楠,張繼聰,竹中直人,丞威,渡邊哲,王祖藍,詹瑞文,陳友,伍允龍,林曉峰,周俊偉,林盛斌,泰臣,葉山豪,嚴華,喻亢,馮勉恒殯葬師
馬索·曼恩,愛德華·福隆,安吉利·贊巴拉娜,Luis Da Silva Jr,安東尼·邁克爾·弗雷德里克月球叛軍2:烙印之人
索菲亞·波多拉,查理·漢納姆,加利·艾爾維斯,安東尼·霍普金斯,杰曼·翰蘇,裴斗娜,吉娜·馬隆,寇瑞·斯托爾,艾德·斯克林,米希爾·赫伊斯曼,斯圖爾特·馬丁,阿方索·埃雷拉,雷·費舍爾,弗拉·菲,克利歐佩特拉·科爾曼,斯塔茲·奈爾,里安·里斯,湯姆·沃斯求愛反斗星
張艾嘉,陳百祥,張國榮,曹查理絕種好男人
任賢齊,張柏芝,李珊珊,葛民輝,杜汶澤,黃浩然,王天林,森美,阮小儀,劉愷威,李思捷,李楓,張文慈,黃泆潼,吳慧冰,黃琛如,王晶,張仕鏗,李霆鋒,何肇晃,黃卡娜,發(fā)爛渣,吳成達,楊嘉雯,高寶云,文詩琪,葉景文,董偉強,陸劍青,李正津藏獒多吉
劉婧犖,阿蘭,芒萊,趙嶺,周志強,王博,張遙函,趙曉明,張偉,李世榮,徐濤同類精選
水底驚魂
丹尼爾·祖瓦圖,邦妮·丹尼森,克里斯·康羅伊,喬尼·奧爾西尼,葛瑞芬·紐曼,Mackenzie Rosman,馬克·馬戈利斯還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村大奧普里圣誕夜
莎朗·勞倫斯,克里斯托弗·普拉哈,妮基·迪洛許,詹姆斯·丹頓,盧克·本沃德,羅勃·梅耶斯,布拉德·派斯里,比爾·安德森,帕姆·蒂利斯,Megan Moroney,米奇·蓋頓惡魔的耳語
盧卡·奧利爾長腿
麥卡·夢露,尼古拉斯·凱奇,布萊爾·安德伍德,艾麗西亞·維特,米歇爾·喬伊-李,達科他·道爾比,勞倫·阿卡拉,琪蘭·席普卡,賈森·戴,麗莎·錢德勒,萊拉·麥金托什,卡梅爾·阿密特,沙芬·卡里姆,丹尼爾·巴孔,瓦內(nèi)薩·沃爾什,斯科特·尼科爾森埃塞爾阿姨的萬圣節(jié)
Chris Cavalier,Melissa Daddio,西恩·邁克爾·格洛里亞,Jason Henne,Rhyssa-Kathryn Marie,Jovanni Mazzaferro,Lisa Mcconnell,Madeleine Murphy,Kierney Nelson,Stephanie Town,Gail Yost影視排行
無垢的證人
唐澤壽明,當(dāng)真亞美放棄作為人權(quán)派律師之路,在大型律師事務(wù)所為大企業(yè)工作的律師長谷部恭介(唐澤壽明 飾)。出于維護大所體面的方針,他以國選辯護人的身份,接手了一起資產(chǎn)家殺人案中被告家政婦的辯護工作。然而,被告家政婦主張自己無罪,稱“我沒有殺人,只是在對方試圖自殺時想要救她”。 作為檢方證人的,是案件唯一的目擊者——住在對面的少女小池希美(當(dāng)真亞美 飾)。長谷部得知希美患有自閉譜系障礙。通過不斷前去拜訪,他逐漸與她拉近距離、建立信任,但在法庭上,卻不得不以證人與辯護人的身份與她正面相對……
地窖2024
斯科特·斯比德曼,喬丹娜·布魯斯特,勞倫斯·菲什伯恩,克里斯·康納,Katie O'Grady,珍妮·林·田,Randy Sean Schulman,杰薩爾·蘭達瓦索,Naiya Amilcar,凱爾·斯托爾茨,Zach Feiner,Kiah Butts一對夫婦在流產(chǎn)后想要重新開始,他們發(fā)現(xiàn)自己得到了夢寐以求的房子,但有一個條件--他們永遠不能打開地窖的門。他們能否在不知情的情況下生活下去,這引發(fā)了令人震驚的后果。
勤雜工
大衛(wèi)·斯佩德A couple of border town friends think waiting tables will fix everything, but they're mistaken.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster