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王韜,魏小歡,江佳桐,李江瑤泥娃娃
楊祐寧,蔡思韻,張軒睿,周采詩,郭雪芙,陳為民,李冠毅,高山峰,黃建群三人新世界
林子祥,鄭裕玲,張曼玉,周慧敏,關(guān)秀媚,梁佩瑚,文雋,金燕玲,許紹雄陷入麻煩的女孩
Columbus Short,Wilmer Valderrama,Alicja Bachleda詭秘陰宅
茱莉亞·克斯奇茲,Marii Weichsler,邁克爾·品克,Leon Orlandianyi,Inge Maux,Finn Reiter,Benno Rosskopf,Lars Bitterlich,Lisa Stern,Christina Cervenka頭顱游戲
Carly Steel,萊昂納德·羅伯茨,杰咪·希爾,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison同類推薦
魔鬼蜘蛛男
藤田進(jìn),岡譲司,舟橋元,松下猛夫,風(fēng)間繁美,八島恵子,宮城千賀子《蜘蛛男》是“江戶川亂步作品集”第七卷。故事開頭，怪紳士稻桓租下了一間事務(wù)所，把它重新裝修成美術(shù)藝品店。第二天開業(yè)時聘用了一名十八歲的美少女，但當(dāng)天晚上就奸殺了這名少女。接下來的幾天內(nèi)報紙社會版頭條陸續(xù)刊登了“碎尸案”、“美人魚案”。民間犯罪學(xué)者畔柳博士接手此案，在與藍(lán)胡子稻桓正面交鋒的過程中屢屢敗下陣來，直到環(huán)游歸來的明智加入偵破陣營……，故事從讀者預(yù)測不到的角度展開，是一部名探與殺人狂的斗智故事。
瓢蟲少女特別篇：巴黎故事
他們來自一個一切都顛倒的平行宇宙：瓢蟲和黑貓的擁有者，暗影瓢蟲（ShadyBug）和黑爪（Claw Noir），是惡棍，而蝴蝶的擁有者，赫斯佩利亞（Hesperia），是一個超級英雄。瓢蟲（Ladybug）和黑貓（Cat Noir）將不得不幫助赫斯佩利亞抵御他們邪惡的雙胞胎的攻擊，并阻止他們奪取蝴蝶奇跡（Butterfly Miraculous）。我們的英雄們能否也幫助赫斯佩利亞并讓暗影瓢蟲和黑爪成為更好的人呢？
專撬墻腳
石天,曾志偉,黃百鳴,劉瑞琪簡介：石驚天是一位擅長辦理離婚案的風(fēng)流律師，喜歡與有夫之婦鬼混。老友黃律師之婚禮，令石突然萌置家之念。遂托物色對象，欲將朱帶金改造成他理想的太太。一天，石的堂弟石頭從外地回來，訴說未婚妻移情別戀，石大罵石頭有辱家風(fēng)，于是授計助其追女仔。原來石頭想要追求的正是朱。石知道后，馬上帶朱到西班牙渡假，奈何石頭苦苦追蹤而至……
唱歌的六個女人
竹野內(nèi)豐,山田孝之,水川麻美,アオイヤマダ,服部樹咲,萩原實里,桃果,武田玲奈,津田寬治,白川和子,竹中直人萱島(竹野內(nèi)豐)收到父親的訃告回到故鄉(xiāng)，從萱島的父親那里繼承土地的宇和島(山田孝之)與他一起，在山路上開車行駛時遭遇了意外事故。兩人醒來時，發(fā)現(xiàn)自己身處森林深處，被六個美麗的女人監(jiān)禁著。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster