網(wǎng)絡(luò)謎蹤2

★ 6.3 播放：40萬 更新：2026-05-12

少女朱恩（斯托姆·瑞德 飾）為了尋找離奇失蹤的母親（尼婭·朗 飾），展開抽絲剝繭般的互聯(lián)網(wǎng)跨國(guó)追蹤。巨大的信息量浩如煙海，未知的危險(xiǎn)在暗中潛伏，朱恩能否找到真相，媽媽能否平安歸來？

在線播放

劇情簡(jiǎn)介

少女朱恩（斯托姆·瑞德 飾）為了尋找離奇失蹤的母親（尼婭·朗 飾），展開抽絲剝繭般的互聯(lián)網(wǎng)跨國(guó)追蹤。巨大的信息量浩如煙海，未知的危險(xiǎn)在暗中潛伏，朱恩能否找到真相，媽媽能否平安歸來？

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

圍困4

　　本片是蘇聯(lián)偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)系列史詩巨片之一部。影片盡情歌頌了蘇聯(lián)人民，在德國(guó)法西斯圍困列寧格勒的900個(gè)艱難的日日夜夜，所表現(xiàn)出來的頑強(qiáng)精神。影片及表現(xiàn)了蘇軍大本營(yíng)對(duì)列寧格勒的戰(zhàn)略布防，也表現(xiàn)出列寧格勒市民面對(duì)生死的堅(jiān)忍不拔。同時(shí)也是為數(shù)不多的蘇聯(lián)戰(zhàn)爭(zhēng)影片，客觀地表現(xiàn)了戰(zhàn)爭(zhēng)初期紅軍失利，以及紅軍將領(lǐng)伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現(xiàn)了列寧格勒基洛夫工廠，冒著的德軍轟炸，堅(jiān)持為前線生產(chǎn)武器，以及軍隊(duì)和市民通過城市唯一與外界的通道——拉多加湖通道，運(yùn)送糧食、武器和其他戰(zhàn)略物資的場(chǎng)面。該片還較為詳實(shí)地展示了希特勒攻占列寧格勒的計(jì)劃，以及紅軍與市民聯(lián)手防御，共同抗敵的畫面。這部影片，將戰(zhàn)爭(zhēng)的全景展示與戰(zhàn)壕細(xì)節(jié)完美地結(jié)合起來，直到今天仍不失為一部反法西戰(zhàn)爭(zhēng)的優(yōu)秀影片，很值得觀賞和借鑒。

奪命微笑2

　　一位女歌手在目睹其一位歌迷詭異自盡后，身邊開始出現(xiàn)各種奇怪的微笑現(xiàn)象，其歌迷紛紛精神失常，開始瘋狂地微笑，對(duì)女歌手窮追不舍。