危險的情愛邊緣

★ 0.8 播放:27萬 更新:2026-05-11

nbsp;其中一個年輕人誰愿意透露他的母親神秘死亡的,許多年前發(fā)生在一個陌生車禍的秘密。 一旦影片的主人公遇到了一個女孩誰寫他的父親,曾經(jīng)是著名電影導(dǎo)演,誰在神秘死亡的文憑。她說,除了導(dǎo)演的兒子也是女兒。主人公是在尋找他的妹妹,并很快愛上了她......   

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nbsp;其中一個年輕人誰愿意透露他的母親神秘死亡的,許多年前發(fā)生在一個陌生車禍的秘密。 一旦影片的主人公遇到了一個女孩誰寫他的父親,曾經(jīng)是著名電影導(dǎo)演,誰在神秘死亡的文憑。她說,除了導(dǎo)演的兒子也是女兒。主人公是在尋找他的妹妹,并很快愛上了她......   

導(dǎo)演精選

鉆石般的她

  「人可生如蟻而美如神」:一班裁制亮麗戲服的中年裁縫慨嘆自己生如蟻,一名奧斯卡導(dǎo)演拍出她們美如神的生命。導(dǎo)演邀約一眾他熱愛的演員,重塑一家高級裁縫工作室色彩斑斕、五味集陳的過往,追憶70年代一班堅毅溫柔的女裁縫的故事:表面盛勢凌人卻細膩體貼的老板、善良卻抑郁的妹妹拍檔、單純的寡婦和她的小兒子、偏愛小鮮肉的姨姨、被家暴的妻子、昔日美艷的舞者、逃避通緝的少女??一群日常女子拋開小我、互相照顧,照亮平凡生活中超越自我的不平凡,展現(xiàn)她們的獨立、愛欲、掙扎和力量。意大利金像獎觀眾人次最高獎意大利銀絲帶獎年度電影

圣誕寶寶

  When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.