播放通道
詳細(xì)簡(jiǎn)介
熱門(mén)影視 大家都在看
月球
薛景求,都敬秀,金喜愛(ài),趙漢哲,崔炳模,Byeong-eun Park,洪承熙,趙勝淵,Gina Theresa Williamson,Laura Fitch Yang,Shim Young-Eun冷光中
麥卡·夢(mèng)露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait岳家小將
尋峰,魏巍,張安繼,劉衛(wèi)民,張希玲,黃駿,沈煒,崔月明,張恩宏,張成忠,孫花滿(mǎn),張躍寧,王振田,蔣榮全,宋文華,宋萬(wàn)熙,胡文麗,江錫榮騙徒與致命婚宴
巴斯蒂安·帕斯特科瓦 ,Tamara Romera Ginés,Anton Dreger,芭芭拉·菲利普,埃爾詹·杜馬斯,米拉·帕爾泰克,伯恩哈德·舒茨,妮可爾博伊特勒,Taneshia Abt,利娜多瑞,Knud Riepen,Marta Kizyma,Daniel Rodic,Till Raskopf,Rabea Lüthi,Georg Paluza,Sara Bartknecht,Maxim Bartknecht,馬格努斯·克雷佩你行!你上!
姜文,馬麗,張乘郝,王碩瓏,陸一,于和偉,余皚磊,何賽飛,辛芷蕾,雷佳音,葛優(yōu),王傳君,胡歌,甄子丹,丁志誠(chéng),李屏賓,李子為,曹操,吉娜·愛(ài)麗絲甜蜜的家2025
姜恩彬,盧仙禧,樸秀彬同類(lèi)推薦
古劍奇譚之焚寂天劫
白澍,梁婧嫻,姜震昊,黃羿,王景灝蓬萊大戰(zhàn)三百年后,百里屠蘇終被風(fēng)晴雪復(fù)活,歐陽(yáng)少恭也被巽芳救出。蚩尤控制少恭危害百姓,眾人合力對(duì)抗卻不敵。屠蘇得到女?huà)z指點(diǎn),將劍魄給予少恭,合體擊敗蚩尤,以死換得天下太平。
狼蛛
約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德本片是美國(guó)50年代一部?jī)?yōu)秀的科幻片。導(dǎo)演Jack Arnold運(yùn)用特效,讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸,它四處破壞,但始終免不了滅亡的命運(yùn)?! 〗?jīng)典科幻片,強(qiáng)烈推薦!
復(fù)仇女孩
貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內(nèi)特·瓦雷女兒為父親復(fù)仇的故事。講述女主回到家鄉(xiāng)探望她的父親,卻發(fā)現(xiàn)他在小屋里遭受了酷刑和謀殺。在尋找答案的過(guò)程中,她遇到了陰險(xiǎn)的治安官和其兄弟,發(fā)現(xiàn)了比她想象中更令人不安的家庭遺產(chǎn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我能有個(gè)見(jiàn)證人嗎
Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van OersCan I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.