凱洛的情欲詛咒
一位科學家找到一個強大的性工件在埃及墓后,他失去了它和風追逐向好萊塢和夏威夷。一路走來,它為每個人接觸到的創(chuàng)建功能強大的性經(jīng)驗。
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彼得·費辛利,索菲婭·邁爾斯,娜塔莉亞·羅蒙絲,卡羅利娜·格拉,胡安·巴勃羅·甘博亞大衛(wèi)(彼得·費辛利 Peter Facinelli 飾)的妻子英年早逝,之后他遇見了名為勞倫(索菲亞·邁爾斯 Sophia Myles 飾)的女子,兩人墜入了情網(wǎng),勞倫讓大衛(wèi)重新找到了人生的希望和目標。大衛(wèi)和前妻生養(yǎng)了一個女兒取名吉爾(娜塔莉亞·羅蒙絲 Nathalia Ramos 飾),正直叛逆期的她獨自居住在哥倫比亞?! ∧橙?,大衛(wèi)和勞倫踏上前往哥倫比亞的旅途探望女兒,可在途中竟然遭遇了車禍。兩人在暴雨之中找到了一間破舊的旅館棲身,卻在無意之中聽見旅館的地下室里傳來年輕女孩的呼救之聲。正義和道德驅(qū)使大衛(wèi)決定解救這名可憐的女孩,卻不知道他的這一行為將在場的所有人推入了萬劫不復的深淵之中。
列寧格勒牛仔征美記
馬蒂·佩龍帕,吉姆·賈木許,卡里·瓦納寧,Sakke J?rvenp??,薩卡里·庫斯曼嫩,西盧·塞佩萊,馬托·瓦爾托寧,奧利·圖奧米寧,理查德·伯斯列寧格勒牛仔搖滾樂隊的幾個成員裝扮怪異,戴大墨鏡,燙飛機頭,夸張的火箭鞋就是他們的標志??稍谒麄兊募亦l(xiāng)看不見事業(yè)成功的希望,于是他們決定轉(zhuǎn)戰(zhàn)美國尋求機會,在即將出發(fā)的前夜,貝斯手卻被凍死,盡管如此,隊員們還是將他裝入了放滿冰塊的木箱中帶上了旅途。此時同村的一個怪異的啞巴 偷偷跟隨樂隊來到了紐約。紐約的機會并不如他們想象的豐富,困窘的生活仍在繼續(xù),在他們走投無路之時,得到了一個來自墨西哥的婚宴演出機會。于是他們用僅剩的錢從一個美國售貨員(吉姆?賈木許 Jim Jarmusch 飾)手中買了一輛舊車后繼續(xù)向墨西哥進發(fā),那里有他們最后的夢想……
極限人生2026
張子棟,張雪菡,肥龍,王蕊,曹然然,王曉曦,吳連生影片講述中年男子馬然為湊百萬彩禮錢加入地產(chǎn)中介項目,卻卷入詐騙案背負罪名,最終通過精心策劃洗脫嫌疑并將詐騙團伙繩之以法,同時收獲真愛的故事。
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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