艾曼妞2愛(ài)的教育
本片講述了Emmanuelle和老公在香港游歷的故事,領(lǐng)略了一番東方風(fēng)情畫(huà),在炎熱的香港一個(gè)飛行員和法國(guó)小女孩逐步步入了他們生活…艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
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采石場(chǎng)的圣母
Dolores Oliverio,Luisa Merelas,費(fèi)爾南達(dá)·埃切瓦里亞·德?tīng)枴だ镯f羅,達(dá)迪·布列瓦,Agustín Dalmasio Sosa宇宙毀滅記
Jeff Morrow,Barbara Lawrence,John Emery黑衣女人2:死亡天使
海倫·麥克洛瑞,杰瑞米·艾文,菲比·??怂?利安娜·貝斯特,阿德里安·勞林斯,奧克利·佩德加斯特,萊拉·德·梅扎,海莉·喬安妮·培根,奈德·丹內(nèi)利,阿米莉婭·皮金,豪爾赫·萊昂·馬丁內(nèi)斯,裘德·懷特,皮普·皮爾斯,理查德·班克斯,阿爾菲·西蒙斯頂級(jí)陰謀
Anders W. Berthelsen,Maria Bonnevie,Ghita N?rby,Henning Jensen,Lars Mikkelsen復(fù)仇之溪
多米尼克·珀塞爾,亨利·卡維爾,邁克爾·法斯賓德,Emma Booth火山下
威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón Lofer同類推薦
金童2025
張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩(shī)鈉,袁富華,林燕玲在十年前的拳擊界,張力(張繼聰 飾)是如日中天的「金童」,卻因一場(chǎng)意外失去了自由。十年后,他刑滿出獄,遇上他從未見(jiàn)面的親生兒子方圓。為了得到方圓母親的遺產(chǎn),需要與方圓一起生活。張力面臨生活困境與情感糾葛,令他的生活再次翻轉(zhuǎn)。在父子間的矛盾與和解中,張力逐漸找到自己的使命,面對(duì)過(guò)去在擂臺(tái)上的陰影,決意再次重拾拳擊夢(mèng)想,并努力成為兒子的榜樣...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
勾魂谷
杰米·貝爾,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson故事發(fā)生在第一次世界大戰(zhàn)期間,英國(guó)聯(lián)軍和德軍之間的戰(zhàn)況日漸白熱化,每天都有無(wú)數(shù)的士兵們含恨死去,年僅十六歲的莎士比亞(杰米·貝爾 Jamie Bell 飾)亦參與了這場(chǎng)戰(zhàn)爭(zhēng),戰(zhàn)場(chǎng)上傷痕累累的慘狀給他的心靈蒙上了厚厚的陰影?! ∧橙?,莎士比亞和一干戰(zhàn)友們正在進(jìn)行一項(xiàng)突襲任務(wù),就在大家凝神鼻息偷偷前進(jìn)之時(shí),一股不知從何而來(lái)的神秘?zé)熿F將他們包圍。之后,一行人來(lái)到了德軍的戰(zhàn)壕內(nèi),然而這里了無(wú)生氣,有的只是一具具死相及其恐怖的尸體。這里究竟發(fā)生了什么?莎士比亞所在的連隊(duì)繼續(xù)前進(jìn),詭異的事情不斷發(fā)生,連隊(duì)中亦不斷的有人喪命,莎士比亞隱約覺(jué)得,在前方等待著他們的正是地獄的入口。
超時(shí)空傳輸
羅比·阿梅爾,瑞切爾·泰勒,肖恩·本森,亞當(dāng)·布切,坦圖·卡丁諾,Gray Powell,Jacob Neayem,杰米斯皮爾切克未來(lái)世界能源枯竭,食物短缺。雷恩醒來(lái),三名蒙面人將他和女友劫持,他奮力掙脫卻從樓梯摔下。雷恩再次醒來(lái),發(fā)現(xiàn)自己經(jīng)歷著同樣的一天。他告訴女友漢娜,卻發(fā)現(xiàn)漢娜和蒙面人是一伙的。雷恩才發(fā)現(xiàn),他們都陷入了自己制造的ARQ能源機(jī)引發(fā)的時(shí)間循環(huán)中,而雷恩曾經(jīng)效力過(guò)的Torus公司正要奪走這臺(tái)機(jī)器。為了阻止Torus公司,雷恩和漢娜再次進(jìn)入無(wú)限的循環(huán)...
一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,理查德·哈蒙,邁克爾·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科圖,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,烏戈·雷蒙多,艾普爾·特萊克一位父親刑滿釋放后,試圖通過(guò)帶女兒參觀大學(xué)校園來(lái)修復(fù)父女關(guān)系。然而,當(dāng)一個(gè)兇殘的邪教開(kāi)始追殺他們時(shí),兩人所要拼命守護(hù)的,早已不只是那段早已破碎的親情。