即刻觀影
劇情賞析
編輯推薦
筆仙2004
李世恩,金圭莉從漢城轉(zhuǎn)學(xué)到父母家鄉(xiāng)的高中后，李玉甄（李世恩 飾）受到班里四個(gè)女生的欺負(fù)，為了報(bào)復(fù)，她和另外兩個(gè)也常受她們欺負(fù)的同學(xué)玩起請(qǐng)筆仙的游戲，筆仙請(qǐng)來(lái)后，李玉甄施下詛咒，但也被鬼魂附身，不久，四個(gè)女生中有三人相繼以自焚的方式死去，警察調(diào)查后，將目標(biāo)人物鎖定為李玉甄，可是此時(shí)李玉甄已 完全喪失記憶?！ ⌒抡{(diào)來(lái)的美術(shù)老師李恩珠（金圭莉 飾）第一天上課點(diǎn)名時(shí)，喊到29號(hào)金仁淑的名字時(shí)，全班同學(xué)厲聲尖叫，令她十分不解，在心儀她的同事的幫助下，她發(fā)現(xiàn)有關(guān)金仁淑的秘密，而這個(gè)秘密，也與李玉甄及死去的三名女生有很大干系。
杰莎貝爾
莎拉·斯努克,喬麗·卡特,馬克·韋伯,安娜·德拉·雷古拉,艾波·斯蒂文斯,布萊恩·哈利塞,拉麗莎·奧蕾尼克,大衛(wèi)·安德魯,克里斯·埃里斯,Vaughn Wilson,弗蘭·本內(nèi)特,Paul Garrett,芭芭拉·威特曼,Jason Davis,Lucius Baston平凡女人杰莎貝爾（莎拉·斯努克 Sarah Snook 飾）與男友普瑞斯頓（馬克·韋伯 Mark Webber 飾）即將迎來(lái)新的生命，當(dāng)他們準(zhǔn)備搬入新家之際，卻遭遇一場(chǎng)突如其來(lái)的車(chē)禍。這場(chǎng)災(zāi)難讓當(dāng)下兩個(gè)最重要的生命從杰莎貝爾的人生中消失，痛不欲生的她撥通了久未謀面的父親的電話，坐著輪椅回到了位于路易斯安那的老家。某天，杰莎偶然在床下找到一卷母親當(dāng)年生她之前錄下的影像，畫(huà)面中媽媽期望女兒能在18歲那年看到錄影帶，而且用塔羅牌預(yù)測(cè)了杰莎未來(lái)的運(yùn)勢(shì)。預(yù)言中有一個(gè)看不見(jiàn)的靈魂逡巡在杰莎的身旁，而對(duì)方卻滿懷惡意企圖將杰莎趕出房子。 在此之后，詭異的夢(mèng)境和神秘事件接連向杰莎襲來(lái)，而她將遭遇最為恐怖的一段噩夢(mèng)體驗(yàn)……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火鳳凰1978
姜大衛(wèi) (David Chiang),上官靈鳳 (Lingfeng Shangguan),岳華 (Hua Yueh)敘述日本人潛伏中國(guó)武館，化裝紅衣蒙面人，屢次暗殺立志北伐的愛(ài)國(guó)志士，后來(lái)被揭穿的懸疑武打故事。這片子真可以當(dāng)成偵破片來(lái)看，武館的人一個(gè)一個(gè)被殺，兇手究竟是誰(shuí)...
瑪麗和麥克斯
托妮·科萊特,菲利普·塞默·霍夫曼,巴瑞·哈姆弗萊斯,艾瑞克·巴納,貝塔尼·維特莫爾,蕾妮·蓋耶,伊恩·莫利·梅爾德倫,朱莉·福塞斯,約翰·弗勞思,克里斯托弗·馬西,卡羅琳·莎士比亞-艾倫,琳恩·史密斯,邁克爾·延納1976年，8歲的瑪麗·黛西·丁格爾（貝絲妮·惠特摩爾 Bethany Whitmore 配音）是澳大利亞墨爾本的一個(gè)小女孩，喜歡動(dòng)畫(huà)片“諾布利特”、甜煉乳和巧克力?，旣惖膵寢屖莻€(gè)酒鬼，而在茶葉包裝廠工作的父親平日只喜歡制作鳥(niǎo)標(biāo)本。孤獨(dú)的瑪麗沒(méi)有朋友，某一天心血來(lái)潮給美國(guó)紐約市的馬克思·杰瑞·霍羅威茨（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 配音）寫(xiě)了一封信詢問(wèn)美國(guó)小孩從哪里來(lái)，并附上一根櫻桃巧克力棒。44歲的馬克思患有自閉癥及肥胖，碰巧也喜歡看“諾布利特”動(dòng)畫(huà)片及吃巧克力。二人的筆友關(guān)系從1976年維持到1994年，期間各自經(jīng)歷了許多人生起伏，直到成年的瑪麗（托妮·科萊特 Toni Collette 配音）終于來(lái)到紐約看望馬克思……本片獲2009年法國(guó)昂錫國(guó)際動(dòng)畫(huà)影展最佳動(dòng)畫(huà)長(zhǎng)片獎(jiǎng)，柏林國(guó)際電影節(jié)水晶熊獎(jiǎng)及渥太華國(guó)際動(dòng)畫(huà)電影節(jié)最高獎(jiǎng)。
浴血困牛山
牛犇,寇振海,王俊東,盧海華,肖聰,陸怡璇,劉芳毓,趙中華,李丞峰,陳楷,任志宏,侯佳偉,袁宇龍,楊涌,泰煜恩,黃振宸,牛青峰,張未柯,佟小虎,馬湘宜首次揭秘長(zhǎng)征紀(jì)實(shí)事件，1934年中央蘇區(qū)第五次反圍剿失敗，紅六軍團(tuán)奉命西征，進(jìn)入貴州石阡，一場(chǎng)戰(zhàn)役后，800多名紅軍消失在石阡困牛山，解放后中央多次尋找未果。70年后少數(shù)民族一個(gè)奇怪風(fēng)俗揭開(kāi)了謎底，紅18師52團(tuán)為了掩護(hù)軍團(tuán)主力突圍，為了不暴露主力行動(dòng)方向，他們將敵人引至困牛山，面對(duì)數(shù)倍的敵人浴血奮戰(zhàn)，戰(zhàn)斗至最后，狠毒的敵人拿老百姓當(dāng)人肉盾牌，危機(jī)時(shí)刻， 100 多名紅軍戰(zhàn)士為了不誤傷百姓，寧死不當(dāng)俘虜，全部跳崖壯烈犧牲。被稱(chēng)為是中國(guó)軍史和世界軍史上的奇跡和壯舉！