劇情簡(jiǎn)介
蘇菲瑪索飾演一個(gè)能預(yù)知未來(lái)的美麗女子，她與男主角偶然的邂逅就一見(jiàn)鐘情，雖然她已預(yù)知男主角即將死亡，卻仍毫不保留的付出自己的愛(ài)別名：Mes nuits sont plus belles que vos jours (1989)
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野村萬(wàn)齋,伊藤英明,今井繪理子,小泉今日子 Ky?ko Koizumi,真田廣之,夏川結(jié)衣,寶生舞,矢島健一,石丸謙二郎,柄本明,岸部一德,萩原圣人公元794年，日本桓武天皇時(shí)期，京都長(zhǎng)岡被其胞弟早良親王怨靈詛咒，天災(zāi)人禍不斷。桓武天皇被迫遷都平安京，由此開(kāi)啟四百年平安時(shí)代序幕。彼時(shí)權(quán)貴內(nèi)部斗爭(zhēng)激烈，人民生活疾苦，世間因此怨靈叢生，人、鬼與怪物屏息同棲。隸屬于宮廷陰陽(yáng)寮的陰陽(yáng)師們，作為平衡天、地、人、鬼間矛盾的存在，自此活躍在歷史舞臺(tái)上，其中最為耀眼的便是身世成謎的安倍晴明（野村萬(wàn)齋 飾）。右近衛(wèi)中將源博雅（伊藤英明 飾）受托拜訪安倍晴明，被所目睹的奇異景象及晴明的個(gè)人魅力深深折服；晴明亦被博雅正直的品德吸引。故事便從兩人宿命相識(shí)，結(jié)下珍貴情誼開(kāi)始?！ m廷內(nèi)近來(lái)異事頻發(fā)。左大臣藤原師輔之女誕下敦平親王，嬰兒降世卻身負(fù)詛咒。晴明招來(lái)蜜蟲(chóng)（今井繪理子 飾）和神秘女子青音（小泉今日子 飾），與博雅一同化解惡咒，卻反遭誣陷。原來(lái)一切皆是陰陽(yáng)頭道尊（真田廣之 飾）所為。他利用左右大臣間矛盾與后妃間爭(zhēng)寵頻生事端，更欲召喚出150年前的最強(qiáng)怨靈早良親王，將平安京徹底顛覆…… 影片根據(jù)夢(mèng)枕貘《陰陽(yáng)師》系列小說(shuō)改編。
致命錄像帶94
安娜·霍普金斯,Sean Patrick Dolan,德魯·維爾戈維爾,達(dá)克斯·拉維納1994年，一隊(duì)野蠻的緝毒警察來(lái)到一處倉(cāng)庫(kù)，并在其中發(fā)現(xiàn)大量邪教信徒和散播的錄像：①霍莉和攝影師去下水道探尋神秘生物，卻在這遇上此生難忘的恐怖經(jīng)歷。②守靈教堂內(nèi)，守夜人平靜守夜，但風(fēng)暴來(lái)臨后會(huì)發(fā)生什么？③印尼科學(xué)家妄圖創(chuàng)造人機(jī)合一的神話，卻不料一隊(duì)特警早以虎視眈眈 ④一隊(duì)反社會(huì)份子盯上國(guó)會(huì)大廈打算引爆大廈，卻不料他們的計(jì)劃將會(huì)迎來(lái)怎樣的變數(shù)？鏡頭之外，死亡的魔爪正緩緩伸向小隊(duì)成員…
平場(chǎng)之月
堺雅人,井川遙,坂元愛(ài)登,一色香澄,中村友理,緒方義博,吉瀨美智子,大森南朋,成田凌,倉(cāng)悠貴影片改編自朝倉(cāng)霞同名小說(shuō)，講述了35年后重逢的中學(xué)同學(xué)青砥?。▓湃?飾）和須藤葉子（井川遙 飾），彼此都是單身，積累了各種各樣人生經(jīng)驗(yàn)的兩人意氣相投，填補(bǔ)了自中學(xué)以來(lái)離別的35年時(shí)光，心靈相通的故事。
紐倫堡
羅素·克勞,拉米·馬雷克,利奧·伍德?tīng)?邁克爾·珊農(nóng),理查德·E·格蘭特,科林·漢克斯,約翰·斯拉特里,瑞安·施密特,洛特·弗貝克,馬克·奧布萊恩,安德烈亞斯·皮特斯柯曼,史蒂文·佩西,莉迪亞·佩克漢,丹·凱德,羅德里克·希爾,保羅·安東尼·巴伯,唐納德·薩基·馬凱,沃爾夫?qū)と麪柲?杰瑞米·惠勒,菲利普·雅克改編自《納粹與精神病醫(yī)生》，聚焦二戰(zhàn)結(jié)尾，紐倫堡法庭對(duì)德國(guó)勞工陣線領(lǐng)導(dǎo)人羅伯特·萊伊的審判(其后來(lái)在獄中自殺)，以被委任來(lái)對(duì)納粹頭領(lǐng)們進(jìn)行評(píng)估的美軍精神科醫(yī)生Douglas Kelley的視角展開(kāi)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
豬八戒·傳說(shuō)
鄭冀峰,曾志偉,殷若曦,賈冰,張馳,毛毛,田啟文,趙志凌,張美娥,張大禮,王思琪天蓬元帥成為豬八戒之前一段秘史，一個(gè)所有青少年都經(jīng)歷過(guò)的故事，一個(gè)合家歡的故事！
戰(zhàn)栗驅(qū)魔
漢娜·邦·本茲,迪恩·基爾貝,Nicholas AnscombeAn exorcism goes horribly wrong and unleashes a vengeful spirit that has been locked up for centuries.