97風流夢
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即刻觀影
劇情賞析
編輯推薦
非請勿進
斯蒂芬·多爾夫,娜塔莎·麥克艾霍恩,斯蒂芬·瑞麥克（斯蒂芬·多爾夫 Stephen Dorff 飾）是一名心懷大志的警探，最近，一宗連環(huán)殺人案件吸引了他的注意，已經(jīng)有四人成為了殘酷兇手刀下的獵物。在搭檔泰瑞（娜塔莎· 麥克艾霍恩 Natascha McElhone 飾）的幫助下，麥克開始了對案件的調(diào)查。隨著調(diào)查的深入，一個驚悚的網(wǎng)站逐漸浮出水面，四名受害者在死前48小時都登陸過這個網(wǎng)站，在一個代號為“黑寡婦”的神秘女人的支配下，他們似乎用生命做賭注加入了一場游戲。為了查明真相，麥克決定以身試險，他登入了網(wǎng)站，與此同時，他生命的最后48小時開始了倒數(shù)，麥克必須在此時限內(nèi)將真兇繩之于法，否則，他的結局會和先前的那四個人一模一樣。
眠狂四郎
長谷川博己,黑島結菜,高橋光臣,菜菜緒,森永悠希,坂東彌十郎,宅麻伸,今野浩喜,佐藤江梨子,西村雅彥,神保悟志 ,原沙知繪,本田博太郎在將軍德川家齊統(tǒng)治下的文政年間，老中水野忠成與水野忠邦在幕府內(nèi)展開激烈的權力斗爭。此時，攜帶名刀“無想正宗”的神秘浪人眠狂四郎（長谷川博己 飾）現(xiàn)身江戶，并受忠邦的親信之命，暗中刺殺刺客。被他斬殺的刺客頸上佩戴著象征基督信仰的念珠。隨后，狂四郎將此物交還給刺客的妹妹靜香，引發(fā)信徒與豪商備前屋的反擊，雙方為守護與暗殺而對立。另一方面，大目付松平主水正也奉忠成之命，派遣劍豪追殺狂四郎。權謀與信仰交織，一場錯綜復雜的生死之戰(zhàn)即將展開。
絕命幽靈船
杰森·繆斯,理查德·雷西爾,Luke Guldan,Tyler JohnsonA clan of watermen capture a crew of sport fishermen who must then fight for their lives.
反叛行動
麗茲·格林尼,梅根·布恩,思凱·卡茨,菲利普·文切斯特,阿麗克斯·維拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,約納斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,馬克斯·克勞斯,Charlotte Weston,Alexsandria Ralev,瑪麗安娜·斯塔尼切娃,內(nèi)森·庫珀,伊麗莎白·吉布森,丹·凱德,Anaya Yalamov,William Smalley,Todor Todoro一名冷酷且訓練有素的殺手，自幼被培養(yǎng)于一個名為 The Internship 的 CIA 最高機密項目中。多年后，她決定摧毀這個奪走自己青春的機構。她召集昔日的“實習生”同伴，發(fā)動了一場血腥的反抗行動——迫使 CIA 動用同樣致命的力量來鎮(zhèn)壓他們。
天竺藍調(diào)
布麗·拉爾森,烏特卡什·安邦德卡爾,斯科特·巴庫拉,薩西爾·塞加爾,泰恩·黛莉,唐納德·薩瑟蘭,拉克希米·曼楚,布格斯·巴爾加瓦,達里普·塔西爾,蘇哈西妮·穆雷,凱扎德·科特瓦爾,Jaswinder Singh Kambo,阿西夫·阿里·貝格,卡里姆·哈吉,Prashant Prakash年輕貌美的美國科學家琳達（布麗·拉爾森 飾），被公司總裁葛根（唐納·蘇德蘭 飾）派往印度銷售她所培育的“9號稻米”。初次來到印度的琳達飽受文化沖擊，還好有當?shù)啬贻p官僚威廉的協(xié)助，讓她可以在那邊安心地邊研究邊銷售。此時，她遇到一位因為繳不出學費而輟學的大學生羅杰（烏特卡什·安邦德卡爾 飾），兩人在研究與爭執(zhí)過程當中陷入熱戀，羅杰也幫她發(fā)現(xiàn)被派往印度的丑陋內(nèi)幕……原來她想要幫助印度農(nóng)民的研究成果，竟不知不覺地被無良的葛根濫用，即將對農(nóng)民造成毀滅性的傷害…琳達該要如何阻止這場災難？而她與羅杰的異國戀又將會開花結果嗎？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.