愛情火花
隆再見,她交往多年,過著孤獨的日子。 一天他被邀請到一個單身派遇到了完全不同的類型的女人,涼子和櫻花。 櫻花太陡了所以帶進了廁所,邀請他去。 隆將發(fā)送到一個廁所,和櫻花在另一個存儲喝酒并邀請他。 然后兩人作愛,在賓館里,幸福地結(jié)婚六個月后。 隆房子留吉是他的祖父和他的父親三雄,然后離婚離婚因為她丈夫的姐姐彌生住作弊。 櫻花獨自一人做家務(wù)、 比留吉是病保健和他的妻子照顧的男人中的男人。 隆皮疹不好意義上說,歐洲和美國雖然承認(rèn)她是一個好的妻子,但感到沮喪的理屈ppo 和力比多太貪心。 3 個月后,終于隆公雞是無用的。 櫻花問以及出口的欲望,他的家人住在一起。
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劇情簡介
隆再見,她交往多年,過著孤獨的日子。 一天他被邀請到一個單身派遇到了完全不同的類型的女人,涼子和櫻花。 櫻花太陡了所以帶進了廁所,邀請他去。 隆將發(fā)送到一個廁所,和櫻花在另一個存儲喝酒并邀請他。 然后兩人作愛,在賓館里,幸福地結(jié)婚六個月后。 隆房子留吉是他的祖父和他的父親三雄,然后離婚離婚因為她丈夫的姐姐彌生住作弊。 櫻花獨自一人做家務(wù)、 比留吉是病保健和他的妻子照顧的男人中的男人。 隆皮疹不好意義上說,歐洲和美國雖然承認(rèn)她是一個好的妻子,但感到沮喪的理屈ppo 和力比多太貪心。 3 個月后,終于隆公雞是無用的。 櫻花問以及出口的欲望,他的家人住在一起。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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