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同類(lèi)好片
害蟲(chóng)2023
西奧·克里斯廷,索菲婭·勒薩弗爾,杰羅姆·尼爾,麗莎·尼亞科,費(fèi)尼肯·歐菲爾德,Marie-Philomène Nga,馬哈瑪?shù)隆どYだ?阿卜杜拉·蒙迪,Ike Zacsongo,埃馬紐埃爾·博納米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·馬拉瑟內(nèi),Aicha Ameddah一個(gè)拳手
王一鳴,任珅,梁國(guó)榮夏日書(shū)局
王璐無(wú)依之地
弗蘭西斯·麥克多蒙德,大衛(wèi)·斯特雷澤恩,德里克·賈尼斯,泰·斯特雷澤恩,卡特·克利福德,彼得·斯皮爾斯,蓋伊·德福雷斯特,帕特里夏·格里爾,琳達(dá)·梅,安吉拉·雷耶斯,卡爾·R·休斯,道格拉斯·G·蘇爾,瑞安·阿基諾,特蕾莎·布坎南,凱莉·林恩·麥克德莫特·懷爾德,布蘭迪·威爾伯,馬克西·埃切維里,鮑勃·威爾斯,安妮特·威爾斯,瑞秋·班農(nóng),夏琳·斯旺基春光乍泄
張國(guó)榮,梁朝偉,張震,格利高里·戴頓夢(mèng)鄉(xiāng)
杰森·莫瑪,瑪洛·巴克利,凱爾·錢(qián)德勒,克里斯·奧多德,茵地亞·德·比尤福特,亨伯利·岡薩雷斯,托尼婭·科妮斯,韋魯切·歐皮亞,凱特琳娜·塔克西亞,邁克爾·布萊克,杰米拉·羅斯,張振熙,Luxton Handspiker,Sergio Osuna,Cameron Nicoll人氣佳作
雛菊1966
雅羅斯拉夫·庫(kù)切拉,伊萬(wàn)娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費(fèi)爾南多·卡約,里卡多·德巴雷羅莎拉的筆記本
貝倫·魯埃達(dá),馬諾洛·卡多納,Florin Opritescu,恩里克·洛維索,瑪麗安·阿爾瓦雷斯,伊萬(wàn)·門(mén)德斯致命玩笑2
導(dǎo)演精選
阿爾及爾之戰(zhàn)
一九五四年十月一日,以法屬阿爾及利亞首都阿爾及爾的卡斯巴為中心,爆發(fā)了阿爾及利亞人反抗運(yùn)動(dòng),這是由于阿拉伯人憎恨法國(guó)人長(zhǎng)期統(tǒng)治而引起的。人們四處搞破壞,法國(guó)政府發(fā)覺(jué)事態(tài)嚴(yán)重,便于一九五七年十月七日,派馬丘將軍率領(lǐng)四十萬(wàn)大軍駐于斯拉姆地區(qū)。但是暴亂仍層出不窮,法國(guó)人的鎮(zhèn)壓行動(dòng)開(kāi)始升級(jí)。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
忍者龍劍傳
現(xiàn)代超忍繼承龍之一族血統(tǒng)的隼流忍者龍?chǎng)溃ē辚濂?ハヤブサ,Ryu Hayabusa)因其父親被殺,而手持由龍牙削制成的龍劍(龍剣,Dragon Sword),踏上復(fù)仇之路,并最終消滅了邪鬼王和邪神。和邪鬼王宿命之戰(zhàn)的一年后……龍之忍者——龍·隼面臨著新的冒險(xiǎn)。忍者龍劍傳是日本TECMO公司所推出的系列游戲,并於多種平臺(tái)發(fā)行,也是以超高難度見(jiàn)稱的動(dòng)作游戲。本片改編自FC平臺(tái)的忍者龍劍傳三部曲的第二部《忍者龍剣伝II ~暗黒の邪神剣~》