長今的性愛花園1

? 4.3 播放：88萬 2026-05-12
主演：未知

該劇與《大長今》一樣，都是以16世紀(jì)的朝鮮為背景講述了料理手藝與美貌兼?zhèn)涞闹魅斯某砷L史，但在片中卻有著大量的露骨性描寫，出演該片的演員都是制作公司挑選出的韓國無名演員，不過在宣傳該劇時卻掛出了李英愛的相片，使得狠多觀眾都誤以為本片是由李英愛出演的。制作該片的公司社長在接受日本媒體采訪時稱：“希望能夠憑藉此片在日本AV界也發(fā)起一股韓流熱潮，目前正在策劃其他的由韓國演員和日本演員一起拍攝的AV?！倍谱鳌洞箝L今》的韓國MBC電視臺表示會采取法律措施來追究此事。MBC電視臺一名負(fù)責(zé)人稱：“當(dāng)我們得知這件事情的時候非常震驚，在成人錄影帶中濫用大長今的名字已經(jīng)是侵犯版權(quán)的行為了，更是對韓國的形象造成了嚴(yán)重?fù)p害，我們將與大長今日本版權(quán)方協(xié)商之后將追究此事。

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劇情提要

該劇與《大長今》一樣，都是以16世紀(jì)的朝鮮為背景講述了料理手藝與美貌兼?zhèn)涞闹魅斯某砷L史，但在片中卻有著大量的露骨性描寫，出演該片的演員都是制作公司挑選出的韓國無名演員，不過在宣傳該劇時卻掛出了李英愛的相片，使得狠多觀眾都誤以為本片是由李英愛出演的。制作該片的公司社長在接受日本媒體采訪時稱：“希望能夠憑藉此片在日本AV界也發(fā)起一股韓流熱潮，目前正在策劃其他的由韓國演員和日本演員一起拍攝的AV?！倍谱鳌洞箝L今》的韓國MBC電視臺表示會采取法律措施來追究此事。MBC電視臺一名負(fù)責(zé)人稱：“當(dāng)我們得知這件事情的時候非常震驚，在成人錄影帶中濫用大長今的名字已經(jīng)是侵犯版權(quán)的行為了，更是對韓國的形象造成了嚴(yán)重?fù)p害，我們將與大長今日本版權(quán)方協(xié)商之后將追究此事。

幕后花絮

現(xiàn)鈔風(fēng)暴

天降橫財！ ？一場現(xiàn)鈔風(fēng)暴正襲卷而來！銀行搶匪駕車逃亡時遭遇龍卷風(fēng)，車子撞毀，所有贓物都被卷入漏斗云中。兩名科學(xué)家和一位健談的網(wǎng)紅救出了劫匪，并由此展開了一段滑稽的搶現(xiàn)鈔之旅。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster