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血腥姐妹會
科林·伊格斯菲德,迪倫·斯派比利,米婭·羅斯·弗蘭普頓,蘭迪·庫卓,萊克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷內(nèi),梅莉爾·羅斯,泰勒·喬恩·奧爾森,凱瑟琳·勒,塔尼婭,謝伊·巴克納,詹妮弗·提圖斯,Natali Yura智慧與美貌并存的Riley進入大學后加入了一個人人眼羨的姐妹會，成員都有著維密天使般的臉蛋和身材，可姐妹會中的成員卻相繼死去，被連環(huán)殺人犯取掉身上了一部分做成玩偶，一個想要睡遍姐妹會中所有人的帥哥Carter成為首要嫌疑人，軟件Row的秘密也隨之浮出水面，Riley的媽媽竟曾也是姐妹會的一員 她的死背后隱含著什么秘密
銀行搶劫案
杰森·斯坦森,薩弗蓉·布羅斯,斯蒂芬·坎貝爾·莫爾,丹尼爾·梅斯,詹姆斯·?？思{,阿爾基·戴維,邁克爾·吉普森,喬治婭·泰勒,理查德·林特恩,彼得·鮑勒斯,埃利斯戴爾·皮特里,哈蒂·莫拉漢,朱利安·劉易斯·瓊斯,安德魯·布魯克,魯珀特·弗雷澤,克里斯托弗·歐文,凱莉·霍威,唐·加拉格爾,克雷格·法布拉斯,杰拉德·霍蘭,羅伯特·懷特洛克,大衛(wèi)·蘇切,彼得·德·杰西,約翰·邁爾斯,科林·薩蒙,莎朗·摩翰,雷·尼古拉斯,杰米·肯納,安格斯·瑞特,馬克·菲尼克斯,朱利安·弗思,魯珀特·范西塔特,布隆森·韋伯,奧馬本片根據(jù)真實歷史事件改編。 1971年，黑人激進組織領(lǐng)導邁克爾X因販毒被控告，但因他一年前取得了英國皇室成員瑪格麗特公主的私密照片并以此要挾官方而被開釋。英國軍情五處工作人員提姆（Richard Lintern 飾）受命取回收藏在倫敦某銀行的這批照片。 提姆物色到販毒女子瑪婷（Saffron Burrows 飾），要挾她搶劫銀行來為自己取得照片?，旀煤芸焱蕴┤穑↗ason Statham 飾）為首的幾個半職業(yè)罪犯或新人組成了計劃挖地道劫掠保險庫的團伙。 泰瑞等人如愿將保險庫洗劫，但贓物卻讓他們坐立不安：涉及皇室成員的私密照片、銀行家行賄官員的賬本、高官們不可告人的齷齪愛好……由于一位無線電愛好者無意間聽到了他們作案時的對話內(nèi)容，此案掀起軒然大波，泰瑞等人陷入了各種勢力爭奪的中心，他只能借助手上的證據(jù)苦苦周旋……
大明嬪妃之困斗
宋洋,何杜娟,朱一龍,陳一諾十年之后，新太子妃因病去逝，留下一子朱由校，太子消沉，王恭妃常年生病，三皇子回京被冊封，姚芊芊被囚禁……鄭貴妃誓要奪取太子之位。王恭妃心急如焚，情急之下，梅兒說出蘭心并沒有死，并回憶：原來蘭心并沒有瘋，因為她無法面對太子，請求梅兒放她走，于是梅兒送走了蘭心，并說出蘭心一直住在蓮花庵。王恭妃不顧病體，拼死懇求蘭心歸來，蘭心最終答應了王恭妃。后王恭妃逝世。鄭貴妃安排萬歷并不知情。蘭心趁機偷偷面見，告知王恭妃的死訊，最終蘭心去了吉壤，半夜三更，道士刺殺太子，梅兒追蹤，結(jié)果摔下山，蘭心趕到，救了太子，太子暈迷，并在山下發(fā)現(xiàn)了梅兒……太子醒后與蘭心相認了，后來蘭心無意中說漏嘴，無奈告訴了太子事實的真相，太子傷心欲絕。萬歷把鄭貴妃叫到跟前，斥責對王恭妃的死訊隱瞞不報，并且萬歷知道鄭貴妃派人行刺一事， 鄭貴妃被禁足。最終按皇貴妃的禮制厚葬了王恭妃
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
誤入魔爪
Jordyn Rudolph,Brad Bell,Ryan Rudolph四名青少年在一次公路旅行中決定繞道而行，發(fā)現(xiàn)自己在肯塔基南部森林深處的鬼屋“萬圣節(jié)尖叫公園”。在目睹了各種各樣的折磨和gore之后，他們開始懷疑自己經(jīng)歷的事情是否有點太現(xiàn)實了。在他們知道之前，他們中的每一個人都被俘虜了，并成為他們原本認為可怕的樂趣和游戲的一部分…
我最特別的朋友
張頌文,曾柯瑯,陳永勝,王悅伊,石老板,胡宇,田甜真正的友情從無關(guān)身份，而是兩個迷茫的靈魂恰好相互照亮。生活失意的老鄭與無處可去的亮亮相遇，老鄭意外成為網(wǎng)紅，而亮亮成了他身邊最堅定的搭檔。 兩人一路同行，也在彼此的生命中照進光芒。一段身份懸殊的特殊友誼，在笑淚交織中悄然生長。 然而，當老鄭在流量中逐漸迷失走向失控，這段關(guān)系也迎來了前所未有的考驗……他們，能否成為彼此最特別的那束光？
惡魔的藝術(shù)
阿麗莎·維爾斯,蘇帕克森·柴蒙蔻,特林·賽塔歐克,克朗通·拉查塔萬,頌猜·沙圖吞,埃薩拉·奧查庫,尼魯·素查,克里塔尤德·蒂姆納特,鮑勃·布克霍爾茲,雪莉·嘉森,桑迪·?？怂?艾爾維亞·蓋坦,格蘭特·喬治,尤里·洛文塔爾,戴夫·麥羅,蘇珊·馬奎,布萊斯·峇本布魯克,塔拉·普拉特,薩姆·里格爾,克莉絲汀·盧瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃倫影片圍繞著一個家庭遭到情婦利用"黑色巫術(shù)"復仇的故事展開.講述了一個百萬富翁全家人被神秘而詭異的地殺害。沒有絲毫線索; 無法找到可以指證的兇手。神秘而恐怖的死亡令所有人為之困惑。一位罪案報道記者參與進此案的調(diào)查, 發(fā)現(xiàn)一個美貌的女人有可疑。他該如何向所有人證明她就是那個一直隱藏著的、并且擅長"魔鬼的藝術(shù)"的情婦? ...