滅門慘案2：借種

評(píng)分：8.8 播放：60萬(wàn) 更新：2026-05-13
主演： 黎繼明/

阿秀（鄭艷麗飾）和阿劍（吳毅將飾）本是恩愛(ài)夫妻，卻苦于沒(méi)有子嗣，于是決定南下接種，由此認(rèn)識(shí)了阿軍（劉的之飾）。誰(shuí)知道，兩人的計(jì)謀被陰險(xiǎn)狡詐的洪震（何家駒飾）撞破，洪震綁走了阿秀，向阿劍勒索巨款。在洪震處，阿秀遭受著非人的待遇，得知此事的阿劍十分憤怒，找上門來(lái)想要報(bào)仇。勤懇老實(shí)的阿劍哪里是洪震的對(duì)手，最終，阿劍遭到了洪震的設(shè)計(jì)，丟了性命。悲痛之中，阿秀終于明白此仇唯有依靠自己的雙手才能報(bào)償，于是找到了阿軍，不惜一切代價(jià)求他幫忙，然而，阿軍人面獸心，將阿秀吃干抹凈之后居然反悔。在公安所所長(zhǎng)龍傳人（廖啟智飾）的抽絲剝繭之下，一個(gè)充滿了人性糾葛的故事漸漸浮出水面海外影視

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禁果2026

莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz

在達(dá)拉斯的輕奢商場(chǎng)，自由伊甸門店的銷售顧問(wèn)蘋果、櫻桃與無(wú)花果，表面是光鮮亮麗的時(shí)尚女性，私下卻在商場(chǎng)地下室運(yùn)營(yíng)著秘密邪教，以詭異儀式維系著扭曲的“姐妹情誼”。新員工南瓜的到來(lái)打破了三人的平衡，她的質(zhì)疑與審視，迫使成員們直面內(nèi)心的陰暗面，邪教儀式逐漸失控，血腥與暴力開(kāi)始蔓延，每個(gè)人都必須在自我毀滅與殘酷結(jié)局之間做出選擇。

放飛旅行團(tuán)

姜河那,金英光,車銀優(yōu),姜泳錫,韓善伙

　　堅(jiān)持到底的瘋狂執(zhí)著者、活力爆棚的樂(lè)天派、顏值爆表的潮流DJ志願(yuàn)生、腦洞大開(kāi)的怪咖，還有直率爆笑的傻大姐——這五位從小一起長(zhǎng)大的死黨，雖然個(gè)性南轅北轍，但卻默契滿點(diǎn)。在友情屆滿24週年的同時(shí)，他們終於迎來(lái)夢(mèng)寐以求的「人生首次海外旅行」！只是沒(méi)想到，這場(chǎng)說(shuō)走就走的旅程，卻秒變?yōu)碾y現(xiàn)場(chǎng)：走失、誤會(huì)、鬧劇不斷升級(jí)，他們能否克服重重危機(jī)，重新找回彼此？而這場(chǎng)瘋狂之旅的終點(diǎn)，會(huì)是一生中的難忘回憶，還是友情的轉(zhuǎn)捩點(diǎn)呢？

孔雀鎮(zhèn)

基里安·墨菲,艾利奧特·佩吉,蘇珊·薩蘭登,比爾·普爾曼,喬什·盧卡斯,Paul Cram,Virginia Newcomb,Chris Carlson

　　在孔雀鎮(zhèn)的鐵路旁邊，生活著一個(gè)有著灰暗過(guò)去的男子——約翰·斯基爾帕（希里安·墨菲 Cillian Murphy 飾），他自幼在母親的淫威下長(zhǎng)大，由此養(yǎng)成了壓抑自閉的性格。在母親去世后，約翰的人格分裂，其內(nèi)心生出象征母性的女子?，?。約翰就這樣在男女兩個(gè)身份間轉(zhuǎn)換，過(guò)著平靜而扭曲的隱蔽生活。　　某個(gè)清晨，災(zāi)禍突然降臨。一個(gè)火車頭脫軌闖入約翰家的院子，正在晾曬衣物的?，斒艿襟@嚇，并且出現(xiàn)在小鎮(zhèn)人民的面前。人們對(duì)此議論紛紛，約翰則希望盡快將火車頭清除院子，然而政客們卻打算以此作為政治斗爭(zhēng)的砝碼。面對(duì)種種混亂的局面，約翰和?，?shù)男闹薪箲]重重，他們的矛盾也漸次激化……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.