即刻觀影
劇情賞析
編輯推薦
自拍復(fù)印機(jī)
Shenina Cinnamon,奇科·庫(kù)爾尼亞萬(wàn),Lutesha,杰羅姆·庫(kù)尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達(dá)瑪拉本片講述了主人公蘇爾因醉酒的一張自拍在網(wǎng)上瘋狂流傳后被取消享有獎(jiǎng)學(xué)金的資格，她的任課教師也受其牽連，并怒斥蘇爾。但蘇爾對(duì)于醉酒的當(dāng)晚發(fā)生的事情毫無(wú)記憶。于是，她開(kāi)始向朋友尋求幫助以究其原委。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地下室居民
瑪利亞·埃沃利,Vanesa Restrepo,卡拉·雅道爾一晚，三位姊妹潛入一位參議員的家，欲偷走他透過(guò)賄賂得來(lái)的錢(qián)。進(jìn)行到一半時(shí)，她們聽(tīng)見(jiàn)地下室傳來(lái)奇怪的聲音，決定前往調(diào)查。她們發(fā)現(xiàn)一位看似受到殘忍虐待的女孩被綁在床上?！ ∵@個(gè)半身不遂的女孩請(qǐng)求她們救她，她們也決定幫她。但她們不知道的是，這個(gè)女孩並不是受到虐待，而是被一個(gè)強(qiáng)大的黑暗力量附身，它將打開(kāi)另一個(gè)世界的大門(mén)。
安·李的遺囑
阿曼達(dá)·塞弗里德,托馬辛·麥肯齊,劉易斯·普爾曼,克里斯托弗·阿波特,蒂姆·布雷克·尼爾森,馬修·比爾德,斯塔西·馬汀,維奧拉·佩雷特約翰,斯科特·漢迪,斯科特·亞歷山大·楊,杰米·博吉奧,米麗-蘿絲·克若斯莉,大衛(wèi)·卡勒這部電影設(shè)定在18世紀(jì)的英格蘭，并“靈感來(lái)源”于真實(shí)事件，是一部關(guān)于宗教領(lǐng)袖安·李（Ann Lee）的“史詩(shī)寓言”，安·李是謝克教運(yùn)動(dòng)的創(chuàng)始人，且被她的追隨者宣稱(chēng)為“女性基督”。
安身何處
比爾·薩奇,埃迪·法可,Tatiana Abracos,Aida Johaness,杰·托馬斯,Jade GoldenJoseph Fulton, a well-regarded fifty-eight-year-old director of romantic comedies, wants to become assistant groundskeeper at a local cemetery. He wants to work outdoors and be close to nature. Meanwhile, he thinks it’s important to have his last will and testament drawn up. But his highly dramatic actress girlfriend thinks he must be dying and that he is just too brave to tell anyone. The rumor spreads and soon everyone he knows—and some he doesn’t—are crowded into his small apartment to say their last farewells.
導(dǎo)火線2025
亞倫·泰勒-約翰遜,西奧·詹姆斯,薩姆·沃辛頓,古古·姆巴塔-勞,盧克·梅伯利,豪爾赫·萊昂·馬丁內(nèi)斯,莎芙蓉·霍金,奧諾·斯溫頓·伯恩,阿歷克斯·阿諾,納比勒·埃盧比,勞里·鄧肯,帕特里克·皮爾森,埃勒姆·埃哈斯,亞倫·龍,George Pavlidis,Karen Seacombe,納維德·汗,伊恩·弗萊徹,Amie Francis,阿圖爾·夏爾馬倫敦一個(gè)建筑工地發(fā)現(xiàn)了一枚未爆炸的二戰(zhàn)時(shí)期炸彈，當(dāng)拆彈專(zhuān)家前來(lái)處理時(shí)，引發(fā)了大規(guī)模疏散，同時(shí)也為一場(chǎng)銀行搶劫提供了完美的掩護(hù)。