親密罪案

★ 3.4 播放：04萬(wàn) 更新：2026-05-12

為了穩(wěn)住情婦，不知內(nèi)情的克勞迪婭在海灘上險(xiǎn)遭她丈夫雇用的保鏢強(qiáng)迫。但是，保鏢恰好正是個(gè)非常有魅力的男人，克勞迪婭無(wú)法抗拒。她無(wú)法預(yù)料，丘比特的箭帶來(lái)的還有殺身之禍...... 　　

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為了穩(wěn)住情婦，不知內(nèi)情的克勞迪婭在海灘上險(xiǎn)遭她丈夫雇用的保鏢強(qiáng)迫。但是，保鏢恰好正是個(gè)非常有魅力的男人，克勞迪婭無(wú)法抗拒。她無(wú)法預(yù)料，丘比特的箭帶來(lái)的還有殺身之禍...... 　　

導(dǎo)演精選

瑞奇·熱維斯：人生苦短

　　瑞奇·熱維斯宣布自己的最新個(gè)人單口喜劇 Mortality 將在2024年底開(kāi)始全球巡演。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

青空在上，身在山谷

本片是斯洛伐克導(dǎo)演卡塔琳娜·格拉瑪托娃的長(zhǎng)片首作，帶有半自傳色彩。15歲的少年埃諾和祖母在烏特奇卡的村子里過(guò)暑假，他喜歡摩托，無(wú)心學(xué)業(yè)，每天和村子里的男孩們混在一起。埃諾十分崇拜在外工作的母親，內(nèi)心希望能和她一起生活，但隨著村子里流言四起，埃諾漸漸發(fā)現(xiàn)，母親并不如想象中那樣善良，而成長(zhǎng)也總是伴隨著痛苦和掙扎。