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劇情簡(jiǎn)介
彭浩翔一改調(diào)子,集驚悚、奇情、幽默、狂想于一片,跟禰大談侽人經(jīng):世上侽人并沒(méi)有好壞之分。只有壞侽人,和更壞之侽人。
同類(lèi)好片
炫舞我人生
董維恩,陳樂(lè)添,杜梵,李純洱百日孤獨(dú)
伊萬(wàn)·瑞恩,安德烈·赫尼克,雷納·沃納,佐伊·格萊斯戴爾,尼爾斯-布魯諾·施密特,蒂姆·威廉姆斯,克里斯蒂安·帕斯奎雷羅坐穩(wěn)車(chē),泰欣娜
卡蒂·奧廷寧,Kirsi Tykkyl?inen,馬蒂·佩龍帕熾愛(ài)
卡特琳娜·格蘭厄姆,梅里特·帕特森,塞巴斯蒂安·羅奇,王卡帝,Roger Cross,Aren Buchholz,Kayla Wallace,大衛(wèi)·劉易斯,Andres Collantes,Chris Cope小意大利
艾瑪·羅伯茨,海登·克里斯滕森,艾莉莎·米蘭諾,丹尼·愛(ài)羅,安德列·馬丁,簡(jiǎn)·西摩,蓋里·巴薩拉巴,亞當(dāng)·費(fèi)拉拉,琳達(dá)·卡辛,克里斯蒂娜·羅塞托昭和殘俠傳:唐獅子仁義
高倉(cāng)健,藤純子,池部良,待田京介,小林千枝,志村喬人氣佳作
飛馳人生3
沈騰,尹正,黃景瑜,張本煜,魏翔,沙溢,范丞丞,孫藝洲,段奕宏,張新成,胡先煦,李治廷,白宇帆,周政杰,高華陽(yáng),賈冰,王安宇,陳永勝,馮紹峰,郝瀚一條道走到黑
甄偉,石峰,陸明明,古麗米熱艾尼瓦爾,禹帆,德吉次仁,李書(shū)雅,蔣雯旭,米熱,于山川手機(jī)有鬼
漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫(kù)曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚(yáng)容·斯皮森伯格,馬克·范·伊文沉默的艦隊(duì)2
大澤隆夫導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瘋狂丑小鴨2靠譜英雄
丑小鴨成功拯救鳥(niǎo)類(lèi)王國(guó)后回到了鴨子農(nóng)場(chǎng),在那里他受到了英雄般的待遇,丑小鴨也開(kāi)始沉迷于這種明星的光環(huán)?! ×硪贿咗B(niǎo)類(lèi)王國(guó)中一場(chǎng)不知名的瘟疫蔓延開(kāi)來(lái),不少鳥(niǎo)兒都染病不起,天鵝議員們派人前去尋求卡爾騎士的幫助,正巧卡爾騎士意外受傷,只能讓丑小鴨去查明原因,可沒(méi)想到在看到瘟疫慘狀時(shí),丑小鴨情緒崩潰害怕的逃走了,眾人對(duì)丑小鴨失望透頂?! √幼叩某笮▲喴蚕萑肷钌畹淖载?zé)中,他終于重新振作起來(lái),決定和丑小八一起找出病因,卻沒(méi)想到被暗中潛伏的加瓦埋伏,奪走了他的力量,還將他困在了枯井之中,在井內(nèi),丑小鴨找到生機(jī),見(jiàn)到了鳥(niǎo)類(lèi)神秘的古代遺跡,也揭開(kāi)加瓦的秘密。危機(jī)時(shí)刻,丑小鴨及時(shí)趕到激活琉璃鳥(niǎo)之光,再次拯救了鳥(niǎo)類(lèi)王國(guó)。
騷亂俱樂(lè)部
影片追隨兩位牛津大一新生,Miles(麥克斯·艾恩斯)以及Alistair(《饑餓游戲》男星山姆·克拉弗林),他們加入“騷亂俱樂(lè)部”(Riot Club)的過(guò)程和經(jīng)歷。根據(jù)電視特輯所說(shuō),騷亂俱樂(lè)部成員不到十人,都是精英中的精英,而要進(jìn)入這個(gè)精英團(tuán)體可不容易,隨后的片段中,Alistair 就喝下了一杯,加了煙頭、蠕蟲(chóng)等各種難以想象的惡心“佐料”的紅酒。 影片改編自2010年火爆倫敦的劇作“Posh”,騷亂俱樂(lè)部的原型據(jù)說(shuō)是牛津大學(xué)著名的布靈頓俱樂(lè)部(Bullingdon Club),英國(guó)許多政要,包括首相卡梅倫,倫敦市長(zhǎng)鮑里斯·約翰遜都是其中成員。其奢華的晚宴,以及狂暴的“入會(huì)儀式”,比如在學(xué)校餐廳和寢室“打砸搶”等,也同樣出名。