失憶癥2001

★ 8.5 播放：59萬 更新：2026-05-12

A暫無內(nèi)容photographer暫無內(nèi)容returns暫無內(nèi)容to暫無內(nèi)容his暫無內(nèi)容parental暫無內(nèi)容home暫無內(nèi)容because暫無內(nèi)容his暫無內(nèi)容mother暫無內(nèi)容is暫無內(nèi)容seriously暫無內(nèi)容ill.暫無內(nèi)容The暫無內(nèi)容confrontation暫無內(nèi)容with暫無內(nèi)容his暫無內(nèi)容past暫無內(nèi)容leads暫無內(nèi)容to暫無內(nèi)容panic暫無內(nèi)容in暫無內(nèi)容a暫無內(nèi)容surreal,暫無內(nèi)容stylised暫無內(nèi)容psychological暫無內(nèi)容drama.

在線播放

劇情簡(jiǎn)介

A暫無內(nèi)容photographer暫無內(nèi)容returns暫無內(nèi)容to暫無內(nèi)容his暫無內(nèi)容parental暫無內(nèi)容home暫無內(nèi)容because暫無內(nèi)容his暫無內(nèi)容mother暫無內(nèi)容is暫無內(nèi)容seriously暫無內(nèi)容ill.暫無內(nèi)容The暫無內(nèi)容confrontation暫無內(nèi)容with暫無內(nèi)容his暫無內(nèi)容past暫無內(nèi)容leads暫無內(nèi)容to暫無內(nèi)容panic暫無內(nèi)容in暫無內(nèi)容a暫無內(nèi)容surreal,暫無內(nèi)容stylised暫無內(nèi)容psychological暫無內(nèi)容drama.

導(dǎo)演精選

禁止進(jìn)入

　　兩個(gè)正在“成名路上”摸爬滾打的工薪階層YouTuber，為了取回不小心丟進(jìn)一座廢棄豪宅的籃球，決定進(jìn)入這個(gè)詭秘的地方。他們?cè)谖堇锘ハ鄲鹤鲃?，打鬧嬉戲，還用手機(jī)記錄下這次“短暫冒險(xiǎn)”。為了吸引更多粉絲，他們?cè)谝曨l里特意添加了一個(gè)假鬼影效果。沒想到，視頻一經(jīng)上傳就迅速走紅?！　∮谑?，他們發(fā)起一個(gè)大膽挑戰(zhàn)：如果視頻播放量達(dá)到預(yù)定目標(biāo)，他們將會(huì)在深夜再次進(jìn)入這棟老宅，這次毫無防護(hù)，完全“裸探”。隨著粉絲們熱烈響應(yīng)，他們真的兌現(xiàn)了承諾。然而，這一次，他們不僅將揭開豪宅背后的秘密和那些神秘“住客”的真相，也逐漸意識(shí)到一個(gè)令人毛骨悚然的事實(shí)——或許他們自己已經(jīng)不再屬于這個(gè)世界了。　　面對(duì)這一切，一個(gè)問題浮現(xiàn)：為了成名，你究竟愿意付出多大代價(jià)？

奧賽羅

　　奧賽羅（謝爾蓋·邦達(dá)爾丘克 Sergei Bondarchuk 飾）是驍勇善戰(zhàn)的大將軍，元老的女兒苔絲狄蒙娜（伊琳娜·斯科布采娃 Irina Skobtseva 飾）愛上了他，但因?yàn)閵W賽羅是一名黑人，所以兩人的婚事遭到了元老的反對(duì)。不愿意就此放棄這段感情的兩人決定私定終身，這個(gè)秘密被一直嫉妒奧賽羅的旗官伊阿古（安德烈·波波夫 Andrei Popov 飾）給暗中偷聽到了，于是伊阿古決定破壞這段姻緣。哪知道伊阿古的搗亂反而促成了這段婚事?！　∫涟⒐挪]有善罷甘休，奧戴羅和苔絲狄蒙娜結(jié)婚之后，伊阿古通過偽造定情信物的手段開始挑撥這對(duì)夫妻之間的感情。占有欲極強(qiáng)的奧賽羅很快就走進(jìn)了伊阿古設(shè)置的圈套之中。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.