密談
一對中年夫妻從美國坐飛機(jī)回到曼谷,清晨他們住進(jìn)一家賓館。妻子(拉莉塔?潘尤帕斯飾)臉上寫滿疲憊想要好好休息,丈夫(波烏?薩拉辛飾)下樓買煙,碰見留著爆炸頭的可愛女孩Ploy(阿平亞?薩庫加羅恩蘇飾),她在等她媽媽。一番閑聊,他做出一個驚人決定,決定帶這名女孩去房間休息,因?yàn)樗€要等上好幾個小時。先前對丈夫起了疑心的妻子,對女孩的出現(xiàn)大有怨言,最終一番爭執(zhí),妻子離開,在酒吧遇上了仰慕者。在他們房間的另一邊,一對神秘古怪的男女在偷歡,一方是賓館服務(wù)員,一方是酒吧招待生,他們不需要任何言語地享受著對方的身體。它似乎是Ploy的夢,又似乎是真實(shí)發(fā)生…艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
劇情簡介
一對中年夫妻從美國坐飛機(jī)回到曼谷,清晨他們住進(jìn)一家賓館。妻子(拉莉塔?潘尤帕斯飾)臉上寫滿疲憊想要好好休息,丈夫(波烏?薩拉辛飾)下樓買煙,碰見留著爆炸頭的可愛女孩Ploy(阿平亞?薩庫加羅恩蘇飾),她在等她媽媽。一番閑聊,他做出一個驚人決定,決定帶這名女孩去房間休息,因?yàn)樗€要等上好幾個小時。先前對丈夫起了疑心的妻子,對女孩的出現(xiàn)大有怨言,最終一番爭執(zhí),妻子離開,在酒吧遇上了仰慕者。在他們房間的另一邊,一對神秘古怪的男女在偷歡,一方是賓館服務(wù)員,一方是酒吧招待生,他們不需要任何言語地享受著對方的身體。它似乎是Ploy的夢,又似乎是真實(shí)發(fā)生…艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
為你推薦
看護(hù)中
李裕英,芮秀貞,廉惠蘭,尹敬浩晴仁(李裕英飾)的母親十年前成為了植物人,長時間獨(dú)自照顧、看護(hù)母親讓她身心俱疲。代號為“看護(hù)中”(李裕英飾)的護(hù)工機(jī)器人不僅幫助晴仁照顧母親,也成為了悉心照料自己的好幫手。然而,看似只聽人類指揮的機(jī)器人卻產(chǎn)生了自己的苦惱,它認(rèn)為:“只有一人死去,另一人才能活”…… 《看護(hù)中》曾是科幻系列電視劇《SF8》中的一部,在播映后獲得空前關(guān)注,于是決定正式在院線上映。
大怪獸加美拉
船越英二,北原義郎,浜村淳,大山健二,吉田義夫,左卜全,村田扶實(shí)子,大葉健二大映が初めて手掛けた、1965年制作の本格怪獣映畫『ガメラ』シリーズ第1作。監(jiān)督は、湯淺憲明。北極海上で原爆を積んだ國籍不明機(jī)が米軍機(jī)によって撃墜され、氷山に墜落した。このため、積んでいた原爆は爆発、氷山に閉じ込められていたエスキモーの伝説の怪獣ガメラが蘇った。巨大な亀怪獣ガメラはその後姿を消し、入れ替わるかのように世界中で謎の空飛ぶ円盤が目撃される。人々の関心が空飛ぶ円盤に移り、ガメラのことが忘れられた頃、再びガメラが北海道にその姿を現(xiàn)した。自衛(wèi)隊(duì)の作戦で仰向けにひっくり返されたガメラ。起き上がることの出來ないガメラに、人々は勝利を確信するが???。
尸骨袋2
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內(nèi)爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗《尸骨袋》改編自斯蒂芬·金(Stephen King)的同名恐怖小說?! 充N小說作家Mike Noonan(皮爾斯·布魯斯南 Pierce Brosnan 飾),在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后,無法走出悲痛的深淵。他不斷地夢到和Jo一 起購買的緬因州湖畔別墅,夢到裝在袋子里的腐爛尸骨,夢見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里,他卷入了一樁年輕美貌寡婦與家財(cái)萬貫的祖父對小女孩的撫養(yǎng)權(quán)爭奪戰(zhàn),并不時遭遇神秘鬼魂的騷擾。那些不斷升級的噩夢,還有神秘鬼魂的騷擾,都讓他意識到,這個小鎮(zhèn)隱藏著一些秘密,而死去的Jo也有事情想要告訴他……
入主客房
圭多·卡普里諾,卡米拉·菲利皮,愛德華多·佩謝,Romeo PellegriniThe morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.
夢鄉(xiāng)
杰森·莫瑪,瑪洛·巴克利,凱爾·錢德勒,克里斯·奧多德,茵地亞·德·比尤福特,亨伯利·岡薩雷斯,托尼婭·科妮斯,韋魯切·歐皮亞,凱特琳娜·塔克西亞,邁克爾·布萊克,杰米拉·羅斯,張振熙,Luxton Handspiker,Sergio Osuna,Cameron Nicoll《沉睡之地》將觀眾帶到了一個神奇的新地方,在這個夢幻世界里,人小鬼大的尼莫(瑪洛·巴克利飾)和她古怪的同伴弗利普(杰森·莫瑪飾)開啟了終生難忘的冒險之旅。父親皮特(凱爾·錢德勒飾)意外在海上失蹤后,小尼莫在西北太平洋田園般的生活被徹底顛覆,她被送到城市,和她心地善良卻極其笨拙的叔叔菲利普(克里斯·奧多德飾)一起生活。她的新學(xué)校和新生活在白天充滿挑戰(zhàn),而到了晚上,一張通往沉睡之地奇幻世界的秘密地圖讓尼莫和弗利普建立了友誼。弗利普是一個性格粗暴但有點(diǎn)可愛的不法之徒,是尼莫的同伴和向?qū)?。尼莫和弗利普很快便踏上了一段穿越夢境、逃離噩夢的不可思議的旅程,并開始希望她能再次與父親團(tuán)聚?! 冻了亍酚筛ダ饰魉埂趥愃梗ā段沂莻髌妗贰娥囸I游戲 2:星火燎原》《饑餓游戲 3:嘲笑鳥》)執(zhí)導(dǎo),大衛(wèi)·蓋恩和邁克爾·漢德爾曼(《博物館奇妙夜 3》)擔(dān)任編劇,彼得·切寧、詹諾·托平、戴維·雷迪和弗朗西斯·勞倫斯共同擔(dān)任制片人。該電影主演還包括韋魯切·歐皮亞、茵地亞·德·比尤福特和亨伯利·岡薩雷斯。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
不是鬧著玩的
李易祥,于根藝,曹隨風(fēng),田華電影一直與陽春白雪相關(guān),似乎很少有人把它與下里巴人聯(lián)系在一起。可河南某小鎮(zhèn)某小村,卻發(fā)生了一件事,讓電影與下里巴人進(jìn)行了一次對接。村里的電影放映員蔡有才(李易祥 飾)一直有一個夢想,那就是親自拍一部電影。這不是鬧著玩的,有才果真開始實(shí)踐起了拍電影之夢。圍繞著鬼子進(jìn)村的主題,有才開始尋找演員,構(gòu)造場景,可這些非專業(yè)出身的演員和資金的限制,讓片場狀況百出也笑話百出,經(jīng)過各種磨難,有才還是咬牙堅(jiān)持了下來?! ”酒瑸檎嫒苏媸赂木?,全程用河南話進(jìn)行對白。真實(shí)情形為河南許昌縣靈井鎮(zhèn)興元鋪村的農(nóng)民趙蘭卿發(fā)動村民一起自編自導(dǎo)自演了一部名為《鬼子進(jìn)村》的電影,開創(chuàng)了農(nóng)民自己拍電影的先河。