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同款熱播
葬送
蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia EllisA grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.
NO.1
崔宇植,張慧珍,孔升延講述了每次吃媽媽做的家常飯時都能看到倒計時數(shù)字的河玟的故事。
春光乍泄
張國榮,梁朝偉,張震,格利高里·戴頓黎耀輝（梁朝偉）與何寶榮（張國榮）是一對同性戀人，為了有新的開始，他們懷著美麗的夢想（去看南美洲大瀑布）離開香港來到阿根廷，卻在布宜諾斯艾利斯迷了路。黎耀輝想安下心來過日子，無奈何寶榮于夜夜笙歌中放縱著自己的生命，以期找尋更多的刺激，只當(dāng)黎耀輝是他受傷后的港灣，兩人分歧 、爭吵越來越多，心的距離越來越遠(yuǎn)。黎耀輝明白過去的日子不可能再復(fù)返時，決定離開何寶榮，而正是在他離開后，絕望的意味（對黎耀輝的愛）才在何寶榮的腦海中完整地浮現(xiàn)。
情感價值
雷娜特·賴因斯夫,斯特蘭·斯卡斯加德,英加·伊布斯多特·莉莉亞斯,艾麗·范寧,安德斯·丹尼爾森·李,加斯帕·克里斯滕森,萊娜·恩卓,科里·邁克爾·史密斯,凱瑟琳·科恩,Andreas Stoltenberg Granerud,?yvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde S?yland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol姐妹Nora和Agnes與疏遠(yuǎn)的父親——魅力非凡的導(dǎo)演Gustav重聚。這位昔日名導(dǎo)試圖讓舞臺劇演員Nora參演自己寄予厚望的復(fù)出之作，卻遭女兒拒絕。Nora很快發(fā)現(xiàn)，父親已將她的角色轉(zhuǎn)給了一位野心勃勃的好萊塢新星。突如其來的變故迫使兩姐妹直面與父親的復(fù)雜糾葛，而這位美國明星的加入，更讓本就微妙的家庭關(guān)系陷入新的波瀾。
審判游戲
阿米達(dá)普·巴強,埃朗·哈斯米,Krystle D'Souza,雷亞·查克雷伯蒂An 80-year-old man with a penchant for real life games in a story about rights and wrongs. It's a story about the decisions one makes in their lifetime and the fact that every decision has its repercussions, hearing and judgment.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster