玉蒲團(tuán)之陽(yáng)物性教

★ 7.8 播放：17萬(wàn) 更新：2026-05-13
主演： 未知/

該片乃是《玉蒲團(tuán)之云雨山莊》的續(xù)集！未央生來(lái)到毛溪縣附近，宿于山神廟艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。此時(shí)，廟外忽然傳來(lái)嘈吵聲，原來(lái)云雨山莊正追捕一名花賊，在一場(chǎng)誤會(huì)下，未央生被拳打腳踢。莊主南宮賞識(shí)未央生的天賦異稟，饒他不死，只改為囚于密室之中。未央生大驚，因莊主原是女兒之身，自小被父母隱藏身份，終日以男裝示人，為了掩人耳目，更多娶姬妾，而其中姬妾文外出偷漢敗露，男的正是花賊。莊主對(duì)未央生深感興趣，故以婢女來(lái)試煉末央生。未央生一方面因艷福無(wú)邊而開(kāi)心不已，同時(shí)也因莊主之陰謀而憂(yōu)慮擔(dān)心……

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劇情簡(jiǎn)介

該片乃是《玉蒲團(tuán)之云雨山莊》的續(xù)集！未央生來(lái)到毛溪縣附近，宿于山神廟艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。此時(shí)，廟外忽然傳來(lái)嘈吵聲，原來(lái)云雨山莊正追捕一名花賊，在一場(chǎng)誤會(huì)下，未央生被拳打腳踢。莊主南宮賞識(shí)未央生的天賦異稟，饒他不死，只改為囚于密室之中。未央生大驚，因莊主原是女兒之身，自小被父母隱藏身份，終日以男裝示人，為了掩人耳目，更多娶姬妾，而其中姬妾文外出偷漢敗露，男的正是花賊。莊主對(duì)未央生深感興趣，故以婢女來(lái)試煉末央生。未央生一方面因艷福無(wú)邊而開(kāi)心不已，同時(shí)也因莊主之陰謀而憂(yōu)慮擔(dān)心……

導(dǎo)演精選

萬(wàn)圣節(jié)傳說(shuō)

　　1）名叫蒂米的男童怨靈會(huì)在萬(wàn)圣節(jié)當(dāng)晚四處尋找糖果，甚至?xí)榇送陂_(kāi)他人的肚子；2）小男孩被逼迫去一戶(hù)人家惡作劇，結(jié)果被長(zhǎng)著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶(hù)人家正坐在客廳看電影，這時(shí)有個(gè)打扮成巫婆的女孩敲門(mén)，卻用刀捅了男主人，恐怖的萬(wàn)圣節(jié)變成災(zāi)難，當(dāng)然他們正為自己的所作所為付出代價(jià)；4）二男一女不良少年團(tuán)伙在萬(wàn)圣節(jié)之夜四處欺負(fù)他人，這時(shí)打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說(shuō)，那是一個(gè)不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無(wú)法承受喪女之痛的女人在萬(wàn)圣節(jié)之夜變成了心理失衡的惡魔；7）中年人的對(duì)面，搬來(lái)幾個(gè)重口味的金屬青年，夜幕降臨，他和重金屬們發(fā)生了沖突；8）密林深處，失魂落魄的少女被無(wú)情的殺人狂追逐，突然怪事發(fā)生；9）兩個(gè)劫匪企圖在萬(wàn)圣節(jié)綁架某富豪的孩子，怎奈請(qǐng)神容易送神難；10）男人好不容易雕了一個(gè)南瓜頭，結(jié)果南瓜頭突然活了過(guò)來(lái)，大鬧街頭。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

幽閉空間

　　THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.