劇情縱覽
A nurse who suffers from lack of intimacy with her husband is assigned to work at an island called Isla Bato, where men treat women with lust. As she experiences the people's madness, she plans a way to get out of the island.
A nurse who suffers from lack of intimacy with her husband is assigned to work at an island called Isla Bato, where men treat women with lust. As she experiences the people's madness, she plans a way to get out of the island.
A nurse who suffers from lack of intimacy with her husband is assigned to work at an island called Isla Bato, where men treat women with lust. As she experiences the people's madness, she plans a way to get out of the island.
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
卡洛斯在一家銀行支行當(dāng)總經(jīng)理,最近他正和妻子瑪爾塔鬧別扭。風(fēng)和日麗的一天,他送兩個(gè)孩子馬科斯和莎拉上學(xué),卻發(fā)生了改變他人生命運(yùn)的事。嶄新的汽車(chē)上莫名其妙地出現(xiàn)一部手機(jī),一個(gè)陌生男人打來(lái)電話(huà),號(hào)稱(chēng)卡洛斯的車(chē)?yán)锉话仓昧艘活w炸彈。而恰在此時(shí),一個(gè)神秘的黑衣摩的男尾隨而至。這是一個(gè)惡作劇,還是真實(shí)的綁架勒索?事情的緣起何故,卡洛斯一家命運(yùn)又該如何?這部西班牙電影將為你呈現(xiàn)一百分鐘的驚心動(dòng)魄……
根據(jù)史上100部偉大推理小說(shuō)改編而成 ●一區(qū)標(biāo)準(zhǔn)版,全新數(shù)字修復(fù)高清版 本片《線(xiàn)人》是根據(jù)史上100部偉大推理小說(shuō),改編而成,是導(dǎo)演彼得·葉茲經(jīng)典作品之一;愛(ài)迪是一個(gè)交友廣泛的人,但世界上卻沒(méi)有是永遠(yuǎn)的朋友;因?yàn)樯磉叺娜?,正在處心積慮地準(zhǔn)備把愛(ài)迪重新送回監(jiān)獄;為了逃脫這個(gè)悲慘命運(yùn),愛(ài)迪干起了走私軍火的生意,他把軍火賣(mài)給那些準(zhǔn)備搶銀行和干綁架的“朋友們”但不知不覺(jué)間,這個(gè)強(qiáng)盜內(nèi)部,似乎有警察的臥底,到底是誰(shuí)呢?他們的搶劫行動(dòng)到底能不能成功呢?!
肥招(曾志偉 飾)和凡秋(陳勛奇 飾)是一對(duì)從小一起長(zhǎng)大的好朋友,但兩人的性格卻大不相同,肥招老實(shí)木訥,凡秋則浮華招搖。因投資不善,凡秋被高利貸逼得走投無(wú)路,幸虧有好友相助,才得以在肥招家中暫時(shí)棲身。此前肥招家里住著一個(gè)離家出走的叛逆少女阿君(陳淑蘭 飾),凡秋隨她出席某酒會(huì),認(rèn)識(shí)了美貌和財(cái)富并重的美女保蓮(楊寶玲 飾)。以此為契機(jī),他的事業(yè)初見(jiàn)起色,隨后更和文靜賢淑的女友莎莉(張敏 飾)分手,與保蓮墜入愛(ài)河。 另一方面,害羞靦腆的肥招也開(kāi)始喜歡上莎莉,在阿君的參謀下,他向這個(gè)失意的女子展開(kāi)了感情攻勢(shì)……