即刻觀(guān)影
劇情賞析
編輯推薦
那個(gè)孩子是誰(shuí)？
澀谷凪咲,早瀨憩,山時(shí)聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司擔(dān)任臨時(shí)教師的君島穗香(澀谷凪咲)，目擊了一個(gè)女學(xué)生從屋頂跳下的瞬間。當(dāng)她在暑假補(bǔ)習(xí)班上課時(shí)，又注意到有個(gè)不應(yīng)該存在的學(xué)生。不久后，穗香與補(bǔ)習(xí)班的三浦瞳(早瀨憩)、前川武(山時(shí)聰真)等學(xué)生們，得知了與那個(gè)女學(xué)生有關(guān)的令人震驚的事實(shí)。
真事信不信
大衛(wèi)·伯恩,約翰·古德曼,斯波爾丁·格雷,迪圖·拉里瓦,斯薇茲·昆茨本片以主人公大衛(wèi)·布萊恩架車(chē)游歷美國(guó)得克薩斯州過(guò)程中所見(jiàn)所聞為主線(xiàn)，透過(guò)一個(gè)個(gè)具有鮮明個(gè)性的小人物及發(fā)生在他們身上的故事，展示了當(dāng)?shù)厝藢?duì)于生活和愛(ài)情的獨(dú)特理解。該片值得稱(chēng)道的是將歌舞與寫(xiě)實(shí)完美結(jié)合，大量旋律優(yōu)美的鄉(xiāng)村民謠,歌曲成為片中最耀眼的亮點(diǎn)，也是導(dǎo)演大衛(wèi)·布萊恩對(duì)電影藝術(shù)的創(chuàng)新之舉，是一次成功的探索。
斷魂小丑
珍娜·凱內(nèi)爾,薩曼莎·斯卡菲迪,戴維·霍華德·桑頓,凱瑟琳·科科蘭,Pooya Mohseni,Matt McAllister,Michael Leavy,凱蒂·馬奎爾,吉諾·卡法雷利,Cory DuVal,Erick Zamora,Clifton Dunn,Xiomi Frans-Cuber,Julie Asriyan,瑪格麗特·里德,Kamal Ahmed故事發(fā)生在萬(wàn)圣節(jié)的當(dāng)晚，塔拉（Jenna Kanell 飾）和道恩（Catherine Corcoran 飾）醉醺醺的從一個(gè)派對(duì)中離開(kāi)，走在清冷的大街上，兩人打算去一家披薩店弄點(diǎn)吃的，一個(gè)小丑打扮的男人尾隨她們也進(jìn)入了店里，雖然小丑的樣貌十分可怖，但個(gè) 性似乎還挺可愛(ài)的，除了他把店里的廁所弄的一團(tuán)糟，氣炸了店主?！ ≈?，塔拉和道恩離開(kāi)了店里，塔拉進(jìn)入了一間公寓上廁所，道恩在路邊等她，小丑再度出現(xiàn)在了她的身后，這一次，小丑想做的便不僅僅是逗她笑這么簡(jiǎn)單了。小丑打暈了塔拉，當(dāng)塔拉再度醒來(lái)時(shí)，映入眼簾的，是被倒掛的道恩和在一邊手持電鋸的小丑。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
亂馬OVA特別篇無(wú)差別格斗對(duì)鳳凰
山口勝平,林原惠美,日高范子,高山南,井上喜久子腦子缺根弦兒的九能帶刀（鈴置洋孝 飾）路過(guò)邪馬臺(tái)古董店，在店內(nèi)看到了極為珍貴的鳳凰蛋。傳說(shuō)只要擁有這枚蛋，便可領(lǐng)會(huì)到威力無(wú)比的魔劍鳳凰劍。為了打敗宿敵亂馬（山口勝平 飾），成為至高無(wú)上的強(qiáng)者，九能強(qiáng)買(mǎi)下鳳凰蛋。不過(guò)店主（北村弘一 飾）叮囑，無(wú)論如何千萬(wàn)不能將蛋放在頭頂，否則將由可怕的事情發(fā)生。不幸的是，亂馬無(wú)意中將蛋放在了九能的頭上，一只長(zhǎng)相奇怪的鳥(niǎo)兒誕生了。它幫助九能成為足以打敗任何對(duì)手的強(qiáng)者。爭(zhēng)強(qiáng)好勝的亂馬無(wú)論如何都要挽回面子……本片根據(jù)高橋留美子的漫畫(huà)《亂馬1/2》改編，系該動(dòng)畫(huà)的劇場(chǎng)版第3部。
咒物尋兇
格威利姆·李,卡羅琳·布萊肯,塔格·墨菲,卡羅琳·門(mén)通,史蒂夫·沃爾,喬納森·法蘭西丹妮原本和丈夫泰德正在翻修偏僻的鄉(xiāng)間別墅，卻在此地慘遭殺害，所有人都懷疑是當(dāng)?shù)鼐癫≡旱牟∪怂鶠?，因?yàn)樘┑抡窃撛旱囊幻t(yī)生。然而，案發(fā)后不久，嫌疑人就被發(fā)現(xiàn)死亡。一年后，丹妮的雙胞胎盲妹達(dá)茜（Darcy），一個(gè)自稱(chēng)通靈者和詛咒物品收藏家的人，意外拜訪(fǎng)了泰德和他的新女友雅娜。達(dá)茜深信她姐姐的謀殺案遠(yuǎn)比人們知道的要嚴(yán)重得多，因此她帶來(lái)了她收藏的最危險(xiǎn)的詛咒物品，以幫助她復(fù)仇。