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馬路天使
珍妮·蓋諾,查爾斯·法萊爾,娜塔莉·金斯頓,亨利·阿爾梅塔,圭多·特倫托,阿爾貝托·拉巴利亞蒂,路易斯·利格特,彌爾頓·迪克森安吉拉（珍妮·蓋諾 Janet Gaynor 飾）的母親身患重病，急需藥物進(jìn)行治療。生活在窮困潦倒之中的安吉拉無(wú)奈之下只能行竊救命，她的舉動(dòng)自然遭到了警方的通緝和追捕，安吉拉就此踏上了逃亡的旅途。 途中，安吉拉來(lái)到了一個(gè)馬戲團(tuán)之中，隱姓埋名成為了其中的一名演員，這正好幫助她拜托了警方的糾纏。在馬戲團(tuán)中，安吉拉邂逅了名為基諾（查爾斯·法萊爾 Charles Farrell 飾）的年輕畫(huà)家?；Z雖然有著一身的才華卻依舊只是一個(gè)名不見(jiàn)經(jīng)傳的無(wú)名畫(huà)家，安吉拉的出現(xiàn)激發(fā)了他的靈感，幫助他取得了事業(yè)上的成就，墜入愛(ài)河的兩人決定結(jié)婚，但在婚禮舉行之際，警方還是發(fā)現(xiàn)了安吉拉的蹤跡。
象人
安東尼·霍普金斯,約翰·赫特,安妮·班克羅夫特,約翰·吉爾古德,溫蒂·希勒,弗雷迪·瓊斯,邁克爾·埃爾菲克,漢娜·高登,海倫·瑞安,約翰·斯坦丁,德克斯特·弗萊徹,萊斯莉·鄧祿普,菲比·尼克爾斯象人（約翰?赫特 John Hurt 飾）是一個(gè)天生的畸形癥患者，他的臉長(zhǎng)得就像大象的臉，因此而得名。象人一直被利欲昏心的馬戲團(tuán)老板利用，帶到世界各地去巡回演出，受盡了非人的虐待。象人所經(jīng)受的遭遇社會(huì)名流們都會(huì)感到不可思議，然而樂(lè)觀堅(jiān)強(qiáng)的象人卻承擔(dān)了下來(lái)。直到有一次，象人遇上了年輕的英國(guó)醫(yī)生（安東尼?霍普金斯 Anthony Hopkins 飾），出于憐憫和醫(yī)生的操守，他與馬戲團(tuán)老板簽訂了“領(lǐng)養(yǎng)”協(xié)議后，將象人帶回了醫(yī)院作研究。在醫(yī)院里，象人重新感受到了人間的溫暖，而醫(yī)生也在和象人的交往中結(jié)下了深深的友誼，他已經(jīng)舍不得這位“上帝的棄兒”。但利欲昏心的馬戲團(tuán)老板帶人又將象人搶了回去，象人的新生活是否就此終結(jié)？
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實(shí),上田吉二郎,本間文子,加?xùn)|大介羅生門，日本京都的正南門。云游和尚、砍柴人和乞丐在城門底下避雨，三人閑聊，話題開(kāi)始，故事的序幕拉開(kāi)：一個(gè)武士和他妻子路過(guò)荒山，遭遇了不測(cè)。妻子被侮辱，而武士慘遭殺害。慘案如何釀成？?jī)词?、妻子、借武士亡魂?lái)做證的女巫，都各有說(shuō)法。真相只得一個(gè)，但是各人提供證詞的目的卻各有不同。為了美化自己的道德，減輕自己的罪惡，掩飾自己的過(guò)失，人人都開(kāi)始敘述一個(gè)美化自己的故事版本?；纳缴系膽K案，成了一團(tuán)撥不開(kāi)看不清的迷霧。談?wù)撏戤?，雨過(guò)天晴?？巢袢嗽诹_生門旁發(fā)現(xiàn)一個(gè)哭泣的棄嬰。他決定收養(yǎng)下來(lái)，抱著嬰孩往夕陽(yáng)深處走去。
死亡將至
斯萊法·達(dá)尼什,凱特琳·哈爾德曼,Michael James OlindoA family whose daughter is seemingly possessed; their prayers seem to make matters worse. What sin did they commit?