長(zhǎng)空之王
雷宇（王一博 飾）等優(yōu)秀飛行員經(jīng)過(guò)嚴(yán)苛選拔，正式成為了我國(guó)新一代試飛員——一款戰(zhàn)斗機(jī)的正式列裝，背后不僅有無(wú)數(shù)科研人員的努力，也需要試飛員們一次次對(duì)飛機(jī)的安全邊界和極限狀態(tài)進(jìn)行測(cè)試。他們將在隊(duì)長(zhǎng)張挺（胡軍 飾）的帶領(lǐng)下，參與到最新式、最尖端戰(zhàn)斗機(jī)的試飛工作，在不斷挑戰(zhàn)戰(zhàn)機(jī)和自我極限的過(guò)程中，一個(gè)個(gè)危機(jī)接踵而來(lái)……
在線(xiàn)播放
劇情簡(jiǎn)介
雷宇（王一博 飾）等優(yōu)秀飛行員經(jīng)過(guò)嚴(yán)苛選拔，正式成為了我國(guó)新一代試飛員——一款戰(zhàn)斗機(jī)的正式列裝，背后不僅有無(wú)數(shù)科研人員的努力，也需要試飛員們一次次對(duì)飛機(jī)的安全邊界和極限狀態(tài)進(jìn)行測(cè)試。他們將在隊(duì)長(zhǎng)張挺（胡軍 飾）的帶領(lǐng)下，參與到最新式、最尖端戰(zhàn)斗機(jī)的試飛工作，在不斷挑戰(zhàn)戰(zhàn)機(jī)和自我極限的過(guò)程中，一個(gè)個(gè)危機(jī)接踵而來(lái)……
人氣佳作
十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,Ka北區(qū)偵緝隊(duì)
吉爾·勒盧什,卡里姆·萊克路,弗朗索瓦·西維爾,阿黛爾·艾克薩勒霍布洛斯,肯扎·福特斯,Cyril Lecomte,邁克爾·阿比特波,伊迪爾·阿祖格利,Vincent Darmuzey,讓-伊夫·貝特魯,Ka?s Amsis,富?！ぜ{布拉,Abdellah Khoulalene,Ha?dy Khalil,Adel Boutouil,安娜伊斯·法布爾,吉爾伯特·特拉尼亞,安東尼薩桑·杰蘇薩桑豬豬俠大電影之競(jìng)速小英雄
十三
杰森·斯坦森,米基·洛克,雷·溫斯頓,薩姆·賴(lài)?yán)?50分,愛(ài)麗絲·巴雷特,蓋比·霍夫曼,斯蒂芬·比奇,埃曼紐爾·施萊琪,小邁克爾·貝瑞,斯塔拉·本福德,黛西·塔漢,卡洛斯·雷格-普拉扎,福雷斯特·格里芬,艾德·伯格托德,大衛(wèi)·札亞斯,查克·齊托,安東尼·奇澤姆,阿倫·戴維森,斯蒂芬·格維頓,道格·托雷斯,亞歷山大·斯卡斯加德,約瑟夫·德博納,本·戈扎那,羅納德·格特曼,約翰·貝德福德·勞埃德,帖木兒·巴布魯阿尼,拉爾斯·格哈德,邁克爾·珊農(nóng),唐·弗萊,克里斯·麥金尼,弗蘭克·賽格,約翰·菲奧里,韋恩·杜瓦導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
惡魔的藝術(shù)
影片圍繞著一個(gè)家庭遭到情婦利用"黑色巫術(shù)"復(fù)仇的故事展開(kāi).講述了一個(gè)百萬(wàn)富翁全家人被神秘而詭異的地殺害。沒(méi)有絲毫線(xiàn)索; 無(wú)法找到可以指證的兇手。神秘而恐怖的死亡令所有人為之困惑。一位罪案報(bào)道記者參與進(jìn)此案的調(diào)查, 發(fā)現(xiàn)一個(gè)美貌的女人有可疑。他該如何向所有人證明她就是那個(gè)一直隱藏著的、并且擅長(zhǎng)"魔鬼的藝術(shù)"的情婦? ...
意亂情迷
《鋸齒狀心靈》講述的是一個(gè)女人被昏迷和奇怪的幻覺(jué)所困擾，她發(fā)現(xiàn)自己被困在了一系列的時(shí)間循環(huán)中，這可能與她神秘的新女友有關(guān)。