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復(fù)仇女孩
貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內(nèi)特·瓦雷女兒為父親復(fù)仇的故事。講述女主回到家鄉(xiāng)探望她的父親，卻發(fā)現(xiàn)他在小屋里遭受了酷刑和謀殺。在尋找答案的過程中，她遇到了陰險的治安官和其兄弟，發(fā)現(xiàn)了比她想象中更令人不安的家庭遺產(chǎn)。
暗黑女子
千眼美子,飯豐萬理江,清野菜名,玉城蒂娜,小島梨里杏,平祐奈,升毅,千葉雄大《暗黑女子》改編自秋吉理香子的同名人氣推理小說，描述了女子高中美少女白石逸美神秘死亡以后，逸美同校文學(xué)部的少女們，開始以她的死亡為主題，各自發(fā)表了檢舉犯人的作品。由清水富美加和飯豐萬理江擔(dān)任雙主演，由《百瀨，朝向這邊》、《戰(zhàn)神：只是愛著你》的導(dǎo)演耶云哉治執(zhí)導(dǎo)。 影片《暗黑女子》是一部由耶云哉治執(zhí)導(dǎo)的影片，該片于2017年4月1日本上映?！ ”酒瑖@基督教名媛學(xué)校圣母瑪利亞女子高等學(xué)院的理事長之女、全校同學(xué)羨慕的物件——白石逸美（飯豐飾演）神秘死亡的故事展開。 好友澄川小百合（清水飾演）代替逸美，繼任了文學(xué)小組的會長而被成員們懷疑。她為了查明逸美死亡的原因并找出真兇，讓成員們寫關(guān)于「逸美之死」的小說，然后大家一起摸黑開朗讀會。 清水富美加飾演文學(xué)部部長澄川小百合，白石逸美則由飯豐萬理江出演。千葉雄大飾演的北條老師曾是學(xué)校文學(xué)部的顧問，因向身邊工作人員講猥瑣話題被趕走，實際上擁有不為人知的秘密。 其他角色方面，保加利亞留學(xué)生狄安娜?迪切瓦由玉城蒂娜扮演，清野菜名出演作家高岡志夜；夢想成為甜點師的小南彩音由小島梨里杏扮演，總是為獎學(xué)金而焦慮的二谷美禮由平佑奈扮演。
召喚藍寶寶
瓦萊麗亞·圣馬丁,賈斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鮑姆校園里的一場大冒險演變成了都市傳說。當(dāng)青少年們召喚“藍寶寶”時，某種東西回應(yīng)了他們。這場游戲蔓延開來，留下的是悲傷和私語。阻止它意味著要面對第一次召喚，以及被召喚的代價。
選擇之她·他
王馨婕,陳驍,馬浚揚,林未,梁瀟雁,陳庭尉,劉海燕一個選擇，兩種人生軌跡。她的故事，還是他的真相？
殺的就是你
莎姬·貝茲,湯姆·費爾頓,帕特麗夏·阿奎特,海瑟·格拉漢姆,米哈拉·赫羅德,佩特遜·約瑟夫,阿曼多·里維拉,達倫-邁耶,克里斯·范·倫斯堡,蓋布·加布里埃爾,梅根·亞歷山大一個從事打掃工作的女子為紐約一座摩天大樓中的富人家工作，卻被告知這里有一個供奉撒旦的邪教，每個月要殺一個人作為祭品，“今晚，選中了你……”
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.