示范銷售
Hatano是一家?guī)齑嫫放乒镜墓ぷ魅藛T，是Sales 3的優(yōu)秀員工。 由于銷售下降，公司收緊了員工。 但是，大多數(shù)庫存購買者是男人，但是男人不了解女人的位置。 當(dāng)我倒閉時(shí)，我得到了示范的意見。 波多野和女職工穿著長筒襪解釋自己的產(chǎn)品。
即刻觀影
劇情賞析
編輯推薦
勇者斗惡龍 你的故事
佐藤健,有村架純,波瑠,坂口健太郎,山田孝之,小林劍道,安田顯,古田新太,松尾鈴木,山寺宏一,井浦新,賀來千香子,吉田鋼太郎根據(jù)史克威爾的名作RPG《勇者斗惡龍》改編的CG動(dòng)畫電影《勇者斗惡龍：你的故事》
7號房的禮物
柳承龍,樸信惠,鄭鎮(zhèn)榮,金正泰,吳達(dá)洙,樸元尚,鄭滿植,葛素媛1997年，只有6歲兒童智商的智障男子李龍久（柳成龍 飾）和可愛的女兒藝勝（葛素媛 飾）相依為命，生活雖然簡單清貧，卻充滿幸福。某天，執(zhí)著為女兒買美少女戰(zhàn)士書包的龍久意外卷入一起幼童誘拐奸殺案，而死者竟是警察局長的女兒。龍久懵懂無知，搞不清狀況，昏頭昏腦就被投入監(jiān)獄。在7號牢房中，聚集著走私犯蘇楊浩（吳達(dá)洙 飾）、詐騙犯崔春浩（樸元尚 飾）、通奸犯姜萬范（金正泰 飾）、恐嚇犯老徐（金基燦 飾）和搶劫犯申奉植（鄭萬植 飾）等五毒俱全的“社會(huì)渣滓”。龍久孩子般純潔的心漸漸感動(dòng)了這幾個(gè)“大壞蛋”，他們甚至不惜冒險(xiǎn)將藝勝帶入牢房與父親相會(huì)。黑暗冰冷的監(jiān)牢內(nèi)，7號牢房陽光滿滿……
昭和殘俠傳
高倉健,池部良,三田佳子出演 : 高倉健／池部良／三田佳子／松方弘樹／梅宮辰夫／菅原謙二／室田日出男 監(jiān)督 : 佐伯清 終戦直後の淺草。戦地から戻った神津組の寺島は、露天商街の縄張り?duì)帳い樾抡\會(huì)と対立。やがて縄張り?duì)帳い霞せ贰⑺聧uは客人の風(fēng)間と共に新誠會(huì)に毆り込みをかける…?！ 「邆}健の主演で人気を博した「昭和殘俠伝」シリーズの第1作目。敵方の青年との対立と不思議な友情を交え、若き熱血親分の活躍を描く娯楽任俠映畫。瓦礫だらけの街から、悪を根絶やしにするため、熾烈な戦いが繰り広げられる。ヒロインは三田佳子。シリーズに欠かせない池辺良もいい味を出している。毆り込みのシーンで流れる、高倉健自らが歌う「唐獅子牡丹」も大ヒットした。
陰陽師2001
野村萬齋,伊藤英明,今井繪理子,小泉今日子 Ky?ko Koizumi,真田廣之,夏川結(jié)衣,寶生舞,矢島健一,石丸謙二郎,柄本明,岸部一德,萩原圣人公元794年，日本桓武天皇時(shí)期，京都長岡被其胞弟早良親王怨靈詛咒，天災(zāi)人禍不斷?；肝涮旎时黄冗w都平安京，由此開啟四百年平安時(shí)代序幕。彼時(shí)權(quán)貴內(nèi)部斗爭激烈，人民生活疾苦，世間因此怨靈叢生，人、鬼與怪物屏息同棲。隸屬于宮廷陰陽寮的陰陽師們，作為平衡天、地、人、鬼間矛盾的存在，自此活躍在歷史舞臺上，其中最為耀眼的便是身世成謎的安倍晴明（野村萬齋 飾）。右近衛(wèi)中將源博雅（伊藤英明 飾）受托拜訪安倍晴明，被所目睹的奇異景象及晴明的個(gè)人魅力深深折服；晴明亦被博雅正直的品德吸引。故事便從兩人宿命相識，結(jié)下珍貴情誼開始。 宮廷內(nèi)近來異事頻發(fā)。左大臣藤原師輔之女誕下敦平親王，嬰兒降世卻身負(fù)詛咒。晴明招來蜜蟲（今井繪理子 飾）和神秘女子青音（小泉今日子 飾），與博雅一同化解惡咒，卻反遭誣陷。原來一切皆是陰陽頭道尊（真田廣之 飾）所為。他利用左右大臣間矛盾與后妃間爭寵頻生事端，更欲召喚出150年前的最強(qiáng)怨靈早良親王，將平安京徹底顛覆…… 影片根據(jù)夢枕貘《陰陽師》系列小說改編。
地縛
拉菲·斯波,詹·穆瑞,大衛(wèi)·莫瑞瑟Joe is an Alien on Earth. At least that is what his father told him before he died when Joe was eleven. He finds it difficult to adjust, and to find a compatible girl friend
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.