監(jiān)禁逃亡

3.7 播放:18萬 更新:2026-05-13
主演: 未知/

生活在鏡子里的女人的惡魔希望美麗女人的血液活在世界上。生前模特俱樂部會長,著名攝影師,優(yōu)秀制片人,至今仍將身體與女人交織在一起。祭祀惡魔是這三個人準備的,失蹤,模特的強奸謀殺案頻發(fā)。身為模特的姐姐神秘死亡。屬于模特俱樂部的妹妹和姐姐一樣找出罪犯。沒過多久,她手里就拿到了案子的開端,為三個人的謀殺計劃.....艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan

即刻觀影

劇情賞析

生活在鏡子里的女人的惡魔希望美麗女人的血液活在世界上。生前模特俱樂部會長,著名攝影師,優(yōu)秀制片人,至今仍將身體與女人交織在一起。祭祀惡魔是這三個人準備的,失蹤,模特的強奸謀殺案頻發(fā)。身為模特的姐姐神秘死亡。屬于模特俱樂部的妹妹和姐姐一樣找出罪犯。沒過多久,她手里就拿到了案子的開端,為三個人的謀殺計劃.....艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan

編輯推薦

死亡將至

斯萊法·達尼什,凱特琳·哈爾德曼,Michael James Olindo

  A family whose daughter is seemingly possessed; their prayers seem to make matters worse. What sin did they commit?

被撓

大衛(wèi)·法里爾,迪倫·里夫,大衛(wèi)·斯塔爾,哈爾·卡普,戴維·達馬托

  網絡上流傳著關于“撓癢”的神秘競技,一個同志想參與這場“撓癢癢大賽”卻被告知此運動僅限直男。記者大衛(wèi)·法里爾(David Farrier)深入探尋后發(fā)現(xiàn)“撓癢”的背后是一條完整的灰色產業(yè)鏈,這其中不僅有撓癢視頻的制作方對演員的壓榨與侵害,甚至還能看到美國由金錢操縱的階級制度的冰山 一角。 本片曾獲得2016年第32界圣丹斯電影節(jié)世界電影單元紀錄片評審團大獎提名。  一場“撓癢”的運動,卻讓人笑不 出來。

你好弗里達

奧利維婭·魯茲,Emma Rodriguez,Rebeca Gonzales,Léo C?té,Sophie Faucher,曼努爾·泰德羅斯,Anne Girard,Joey Bélanger

  影片生動展現(xiàn)了墨西哥傳奇女畫家弗里達·卡羅的童年生活。好奇心旺盛的弗里達整天和妹妹玩耍,和鄰居家的狗做朋友,爬樹,在小鎮(zhèn)上奔跑,當她擁有人生中的第一本筆記本,就迫不及待的上面涂滿色彩斑斕的圖畫和想法。小兒麻痹癥讓她臥床不起,但小弗里達毫不退縮,一旦康復,她就會重返街頭,展現(xiàn)她旺盛的生命力。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

幼獸

Evelien Bosmans,Stef Aerts,提圖斯·德·沃格特,Maurice Luijten

  由克里斯(Titus De Voogdt 飾)和皮特(Stef Aerts 飾)帶隊并由數(shù)名十幾歲的男孩組成的童子軍即將前往靠近法國邊境的某座森林里露營,出發(fā)前他向孩子們講述了一個可怕的傳說,據(jù)說森林里有一種被稱為“凱”的半人半獸怪物肆虐橫行,當?shù)厝寺勶L喪膽。它的模樣如同人狼,凡是被它咬過的人都會受到感染變成人狼。孩子們群情激昂,決心痛揍人狼,隨后跟隨克里斯坐上卡車出發(fā)。陽光明媚的時節(jié),孩子們在露營地快樂玩耍,不過并不受眾人待見的小男孩薩姆(Maurice Luijten 飾)似乎格外在意“凱”的存在,他在挖洞時聲稱一度看到“凱”的身影,隨后更在營地附近發(fā)現(xiàn)一處神秘的巢穴。  夜幕降臨,可怕的身影悄悄向營地接近,薩姆的命運發(fā)生徹底改變……

惡夜勒贖

費爾南多·卡約,曼努埃拉·貝列斯,阿娜·瓦格納,德里坦·比巴

  平靜的一天,事業(yè)小有成就的中年男子杰米(費爾南多·卡約 Fernando Cayo 飾)和妻子瑪爾塔(安娜·瓦格納 Ana Wagener 飾)、女兒伊莎(曼紐拉·維拉斯 Manuela Vellés 飾)搬入了夢寐以求的大房子內。正當一家人爭論晚上該不該一起度過時,三個蒙面歹徒闖入房中。為了保護家人的安全,杰米積極配合,抄下了信用卡號碼并交出手機,并隨同歹徒的首領外出取錢。他時刻尋找機會報警,卻不知自己所面對的是根本不會妥協(xié)的冷血惡魔。另一方面,不斷有訪客扣響杰米家的房門,恐慌的瑪爾塔母女則想盡一切辦法逃脫,似乎又讓一切變得更加糟糕?! ∷茻o止境的長夜,愈加黑暗幽冷……