即刻觀影
劇情賞析
編輯推薦
壯志千秋
理查德·迪克斯,艾琳·鄧恩,埃斯特爾·泰勒,南斯·奧尼爾故事發(fā)生在美國(guó)西部大開(kāi)發(fā)時(shí)期，燕西（理查德·迪克斯 Richard Dix 飾）帶著妻子莎布拉（艾琳·鄧恩 Irene Dunne 飾）千里昭昭來(lái)到了廣袤而又荒蕪的俄克納馬拉，心里懷揣著遠(yuǎn)大的理想，希望能夠在這里做出一番建樹(shù)。俄克納馬拉的生活環(huán)境十分艱苦和險(xiǎn)峻，然而，夫妻兩人同心協(xié)力，慢慢改善和建立著他們的家園。在日子漸漸穩(wěn)定的過(guò)程中，在當(dāng)?shù)厣畹哪翀?chǎng)主們感到他們的利益受到了侵犯，他們常常會(huì)找燕西的麻煩，卻又被燕西用智慧巧妙的化解。燕西十分同情在當(dāng)?shù)厣畹挠〉诎餐林?，與此同時(shí)，嫉惡如仇的燕西亦對(duì)壓迫和剝削原住民的資本家們充滿了仇恨，隨著時(shí)間的推移，雙方的矛盾漸漸尖銳起來(lái)。
偽叛國(guó)者
威廉·霍爾登,莉莉·帕爾默,休·格里夫斯,卡爾·拉德茨,Ernst Schr?der,查爾斯·雷尼爾,英格麗·凡·貝爾根,沃爾夫?qū)て杖R斯,維爾納·彼得斯,埃麗卡·比爾,Stefan Schnabel,克勞斯·金斯基,埃里克·舒曼,波爾·賴希哈特,John Wittig,Louis Miehe-Renard,Kai Holm,Jens ?sterholm,J?rgen Krogh,伊娃·達(dá)爾貝克,烏爾夫·帕姆,約翰·班納,Martin Berliner,Jochen Blume,菲爾·布朗,馬克斯·布施鮑1942年，生活在斯德哥爾摩的瑞典籍美國(guó)石油商人埃里克?埃里克森突然發(fā)現(xiàn)自己上了美國(guó)的納粹合作者黑名單，急于辨白。而這一切是盟軍情報(bào)機(jī)關(guān)的安排，意在逼迫埃里克成為間諜，因?yàn)樗梢苑奖愕剡M(jìn)出德國(guó)。無(wú)奈的埃里克只得就范，他開(kāi)始公開(kāi)表現(xiàn)親近納粹，甚至不惜傷害最親密的猶太人朋友坎普爾。朋友和親人們都疏遠(yuǎn)了他，但只有坎普爾暗中相信埃里克這樣做必有難言的原因?！ 『芸欤＠锟司秃偷聡?guó)人拉上了關(guān)系，并將德國(guó)石油業(yè)巨頭格哈德?奧倫道夫爵士、石油商人奧托?豪茲拉下水，組成一個(gè)間諜小組，他的代號(hào)為“萊德”。 同時(shí)，埃里克與篤信宗教的德國(guó)地下抵抗組織成員瑪麗亞娜取得聯(lián)絡(luò)，喬裝成情人幽會(huì)，騙過(guò)監(jiān)視的蓋世太保，不斷將她提供的情報(bào)記憶下來(lái)后帶回瑞典。埃里克與瑪麗亞娜為了事業(yè)均是家庭不幸，兩個(gè)人傾心相戀。埃里克雖是諜海新兵，但他沉著堅(jiān)毅，多次避過(guò)危險(xiǎn)?！ ≡趭W倫道夫的努力下，埃里克獲準(zhǔn)在瑞典為德國(guó)“建設(shè)”煉油廠，于是得到了參觀德國(guó)石油工廠的機(jī)會(huì)，一次，埃里克與奧倫道夫目睹納粹絞死罷工工人的場(chǎng)面，被深深觸動(dòng)，開(kāi)始由被迫工作轉(zhuǎn)向自覺(jué)行動(dòng)。他們的情報(bào)使盟軍得以準(zhǔn)確轟炸，令德國(guó)損失慘重?！ ∫欢螘r(shí)間后，奧托因病去世，由于密信可能泄露，盟軍情報(bào)機(jī)關(guān)決定停止埃里克小組的活動(dòng)。但埃里克惦念瑪麗亞娜，同時(shí)也為了取回至關(guān)重要的納粹航空燃料生產(chǎn)情報(bào)，他毅然再次前往德國(guó)。埃里克一到柏林就被關(guān)進(jìn)蓋世太保監(jiān)獄，并親眼看到因身份暴露被捕的瑪麗亞娜殉難。但他強(qiáng)忍悲痛，咬定自己只是瑪麗亞娜的情人，蓋世太保沒(méi)有證據(jù)只好放人?！ “＠锟藦母窆绿幠玫角閳?bào)，又前往漢堡銷(xiāo)毀奧托的密信，不料被跟隨的蓋世太保察覺(jué)。埃里克機(jī)智逃脫，并與漢堡的盟國(guó)諜報(bào)網(wǎng)取得聯(lián)系，在地下組織和丹麥百姓的幫助下，埃里克越過(guò)邊境，經(jīng)哥本哈根渡過(guò)海峽，安全返回瑞典。
留校聯(lián)盟
保羅·吉亞瑪提,多米尼克·塞薩,達(dá)明·喬伊·倫道夫,卡麗·普雷斯頓,布雷迪·赫普納,伊恩·多利,吉姆·卡普蘭,邁克爾·普羅沃斯特,安德魯·加曼,納希姆·加西亞,斯蒂芬·索恩,吉蓮·韋格曼,泰特·多諾萬(wàn),達(dá)比·莉莉·李-斯塔克,比爾·穆托斯,達(dá)斯汀·塔克,胡安妮塔·珀?duì)?亞歷山大·庫(kù)克,利茲·畢曉普,科爾·特里斯坦·墨菲,威爾·薩斯鮑爾預(yù)科學(xué)校巴頓學(xué)院的老師保羅（保羅·吉亞瑪提 飾）不太受歡迎，不管是學(xué)生、老師還是校長(zhǎng)，都不太喜歡他，他們覺(jué)得他浮夸又僵化。在1970年的圣誕假期，保羅留在了學(xué)校監(jiān)督無(wú)法回家的學(xué)生。幾天后，只有一個(gè)學(xué)生留了下來(lái)——一個(gè)名叫安格斯的15歲搗蛋鬼，他是一個(gè)被不良行為破壞的好學(xué)生，總是在被開(kāi)除的邊緣試探。與保羅和安格斯一起留下的還有學(xué)校廚師長(zhǎng)瑪麗，一個(gè)為特權(quán)階層的兒子們提供服務(wù)的非裔美國(guó)婦女，她自己的兒子最近在越南失蹤了。這三個(gè)截然不同的失意者組成了一個(gè)奇怪的圣誕家庭，在新英格蘭大雪紛飛的兩個(gè)星期里，分享著不幸經(jīng)歷，并意識(shí)到他們中沒(méi)有人感謝自己的過(guò)去。
百年好合
鄭秀文,古天樂(lè),李冰冰,林雪,韓君婷,張錦程,夏雨,顏穎思富豪洪飛虎（古天樂(lè) 飾）因怪病找到峨嵋派掌門(mén)王鳳（鄭秀文 飾），她對(duì)飛虎的生性傲慢毫無(wú)好感，于是用盡各種奇怪的方法治療飛虎。王鳳的師姐李莫愁（李冰冰 飾）突然出現(xiàn)，并揚(yáng)言要鏟除峨嵋派。未免傷及無(wú)辜，王鳳盡快醫(yī)好了飛虎。知道了王鳳的惡作劇之后，飛虎憤然離開(kāi)了?！ 榱伺c師姐決戰(zhàn)，王鳳急需練好“傷心斷腸劍”，但從未經(jīng)歷傷心之苦的她 無(wú)法領(lǐng)悟“百年好合”這一招式的要領(lǐng)，王鳳在眾人的勸說(shuō)下決定求助與飛虎。飛虎不計(jì)前嫌，用盡辦法讓王鳳傷心，練好招式。王鳳又能否成功？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
自由萬(wàn)歲
華萊士·比里,里奧·卡利羅,菲伊·雷In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant...