媽媽的朋友2017新版
2017新版媽 媽的朋友,本片講述了兩個(gè)好姐妹經(jīng)常帶著兒子一起玩,卻總是誇對(duì)方的兒子好,兒子們不滿,要求換作對(duì)方的兒子,而兩個(gè)猥瑣的兒子似乎也不隻是想得到**的愛一般簡(jiǎn)單,在不經(jīng)意偷看到阿姨**時(shí)自慰時(shí),其中一個(gè)兒子終于把持不住了,于是雙方也開始了“母子”激情戰(zhàn)..
在線播放
劇情簡(jiǎn)介
2017新版媽 媽的朋友,本片講述了兩個(gè)好姐妹經(jīng)常帶著兒子一起玩,卻總是誇對(duì)方的兒子好,兒子們不滿,要求換作對(duì)方的兒子,而兩個(gè)猥瑣的兒子似乎也不隻是想得到**的愛一般簡(jiǎn)單,在不經(jīng)意偷看到阿姨**時(shí)自慰時(shí),其中一個(gè)兒子終于把持不住了,于是雙方也開始了“母子”激情戰(zhàn)..
同類好片
利刃之刀鋒戰(zhàn)士
魏小歡,張博楠,馬暢,劉冰破軍X檔案隱身人
白云峰 沐嵐 杜宇航 克拉拉禪武門
張玲,鄭少秋,田豐,王俠提前的葬禮
姜末琴,奉太奎角頭:斗陣欸
高捷,蔡振南,太保,喜翔,龍?zhí)煜?王識(shí)賢,夏靖庭,孫鵬,黃騰浩,張懷秋,黃尚禾,鄭人碩,張?jiān)倥d,唐振剛,吳震亞,黃冠智,林真亦,陳萬(wàn)號(hào),白吉?jiǎng)?李銘忠,崔浩然,黃鐙輝,吳念軒,是元介,瑞瑪·席丹,王陽(yáng)明,陸明君,曾珮瑜,荒山亮,林道禹,隆宸翰,邱永騰,游安順,伊正,王自強(qiáng),孫國(guó)豪,草爺印度超人前傳
瑞哈,赫里尼克·羅斯?jié)h,普麗緹·澤塔,拉克什·羅斯?jié)h,Prem Chopra,Rajat Bedi,喬尼·里沃,穆克什·里希人氣佳作
第九區(qū)
沙爾托·科普雷,詹森·庫(kù)伯,娜塔莉·博爾特,茜爾雯·斯特賴克,約翰·薩莫爾,威廉·艾倫·揚(yáng),尼克·布雷克,杰德·布羅菲,路易斯·米納爾,瓦妮莎·海伍德,瑪麗安·胡曼,維多利奧·萊奧納迪,曼德拉·加杜卡,約翰·范·肖爾,斯特拉·斯廷坎普,戴維·詹姆斯,肯尼思·恩科西,蒂姆·戈登,莫爾內(nèi)·埃拉斯姆斯,尤金·孔巴尼瓦,赫棱基維·馬德拉拉,西雅邦加·拉德貝,梅爾特·西貝爾哈亨,安德勒·奧登達(dá)爾,尼克·伯萊尼,羅伯特·霍布斯神犬查利
TOKYOMER~移動(dòng)的急救室~南海任務(wù)電影版
鈴木亮平,賀來賢人,菜菜緒,鶴見辰吾,石田百合子,江口洋介,玉山鐵二,高杉真宙,生見愛瑠,宮澤艾瑪華氏247
絲柯·泰勒-考普頓,克里斯蒂娜·烏洛亞,特拉維斯·范·文克,邁克爾·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亞尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II導(dǎo)演精選
揚(yáng)帆
夏洛特(貝蒂·戴維斯 Bette Davis 飾)已經(jīng)能算得上是一個(gè)老姑娘了,她梳著呆板的發(fā)型,穿著保守的服裝,性格也古里古怪的,更糟糕的是,她似乎還染上了酗酒的壞毛病。在家人的建議之下,夏洛特決定踏上治療心靈的旅途,登上了駛往遠(yuǎn)方的游輪。在游輪上,夏洛特邂逅了名為杰瑞(保羅·亨雷德 Paul Henreid 飾)的男子,并且在誤打誤撞之中和杰瑞的女兒結(jié)下了深厚的友誼。很快,夏洛特就感到自己墜入了情網(wǎng)之中,然而,此時(shí)的杰瑞并不是自由身,他有這一段無法結(jié)束的婚姻。心碎的夏洛特選擇了離開,而夏洛特的母親也在不久之后撒手人寰。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超級(jí)倉(cāng)鼠3:松鼠奇謀
A little girl has secret superpowers but can’t use them when a highway project is threatening the nearby forest. Desperate to save it, she invents an elaborate lie about an endangered flying squirrel inhabiting the woods.