毫無(wú)意義

★ 5.5 播放：60萬(wàn) 更新：2026-05-06

術(shù)業(yè)有專(zhuān)攻，醫(yī)生也要乖乖接受妓女的「治療」。冶艷熟女愛(ài)麗絲「下海」好一陣了，最近遇到工作瓶頸?；臎龅膽j海生活令她藁木死灰，極欲尋求治療。她約見(jiàn)了一位口碑不錯(cuò)的心理醫(yī)師薩米耶，然而薩米耶早厭煩病患的冗長(zhǎng)故事，剛和妻子離異的他，仍深陷低潮。凡是「軟弱」的男人，都會(huì)讓愛(ài)麗絲犯職業(yè)??；來(lái)求診的她，反向薩米耶提供「特殊療程」。看愛(ài)麗絲如何運(yùn)用自己的專(zhuān)業(yè)，活出新人生！ 　　

在線播放

劇情簡(jiǎn)介

術(shù)業(yè)有專(zhuān)攻，醫(yī)生也要乖乖接受妓女的「治療」。冶艷熟女愛(ài)麗絲「下?！购靡魂嚵耍罱龅焦ぷ髌款i?；臎龅膽j海生活令她藁木死灰，極欲尋求治療。她約見(jiàn)了一位口碑不錯(cuò)的心理醫(yī)師薩米耶，然而薩米耶早厭煩病患的冗長(zhǎng)故事，剛和妻子離異的他，仍深陷低潮。凡是「軟弱」的男人，都會(huì)讓愛(ài)麗絲犯職業(yè)??；來(lái)求診的她，反向薩米耶提供「特殊療程」?？磹?ài)麗絲如何運(yùn)用自己的專(zhuān)業(yè)，活出新人生！ 　　

導(dǎo)演精選

河流如血

　　The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.

猩球崛起3：終極之戰(zhàn)

　　凱撒（安迪·瑟金斯 飾）領(lǐng)導(dǎo)的猿族將被迫與殘暴的Colonel（伍迪·哈里森 飾）領(lǐng)導(dǎo)的人類(lèi)軍隊(duì)上演一場(chǎng)生死大戰(zhàn)。猿族在戰(zhàn)斗中遭遇了前所未有的重創(chuàng)，由此激發(fā)了凱撒內(nèi)心中黑暗的一面，心中燃起復(fù)仇的烈火。最終，凱撒與Colonel面對(duì)面進(jìn)行了一場(chǎng)關(guān)乎猿族和人類(lèi)命運(yùn)的終極之戰(zhàn)。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.