丑聞：朝鮮臥室七出之條
七個有效原因阻礙朝鮮妻子 ！他們的 unconfucian 和厚臉皮婚姻生活現在開始 ！ 第一個故事：猥褻行為 樸宣華與 Dae eui 普通看幾個但他們是性較少。樸宣華是孤獨的在她的房間，但一天遇到小偷岔軍銜Dae eui 通過的科舉他老是忙而忽略樸宣華茶 dol 顯示她什么愛后是... 第二個故事： 嫉妒 智恩失去鄭某在事故和她的父母為她設置承諾的婚姻中。她獲取再結婚，但她的丈夫贏得了博克不感興趣智恩和僅有名妓和酒的眼睛。她并不掩飾她的嫉妒心理為思明 wol 是妾并要離婚...... 第三個故事：無子女 張成澤浩和 Mi-ok"s 父母是朋友，他們最終結婚的一天。他們有一個偉大婚姻生活雖然 Mi 確定不會有一個兒子，和她的婆婆開始欺負她，然后帶來代yun母親名叫珠跑。張成澤浩夾在這兩個女人之間又來來回回試圖緩解他們...... 第四個故事：懷疑 思明 eui 是錢的肯定當他開始帶著大量和花出去晚上她的丈夫錢的對她不忠。她偷了他的錢和隱藏它，他找不到它。他顯示了她的感情，告訴她那里是沒有需要 suspiciuous 但她懷疑只獲取更大...
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龍口走蛟
備案單位愛奇藝影業(yè)(重慶)有限公司 梗概：龍口鎮(zhèn)近來怪事不斷，外鄉(xiāng)人青云子和張不平游歷至此，意外卷入神秘事件當中，他們最終揭開真相，守護了龍口鎮(zhèn)的安寧。
不良教育
妲露拉·萊莉,喬安娜·斯坎倫,克拉克·彼得斯,杰克·懷特霍爾,馬修·豪勒,史蒂夫·斯皮爾斯,莎拉·索蕾瑪尼,哈里·恩菲爾德,托尼·毛德斯雷,萊頓·威廉姆斯,史蒂夫·奧拉姆,馬克·伍頓,查理·沃納姆,妮琪·羅南克萊斯威克斯教員帶著他剛完成中學學業(yè)的學生們修學觀光。
地下角斗士
戴拉·紹,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
火山下
威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón LoferA cataclysmic event serves as the backdrop for a passionate affair between two individuals torn between desire and the constraints of their circumstances.
鬼屋行竊
露娜瑪雅,Maxime Bouttier,Agus Kuncoro一名退伍軍人得到一份搶劫房子的工作，但結果發(fā)現這所房子是 Nyai 的房子，Nyai 是一位小妾，又名 Gundik。