夜間的水牛

7.5 播放:04萬 更新:2026-05-06
主演:Hugo Albores Irene Azuela Walther 

一個精神分裂的人自殺后,他的女友欺騙他,他最好的朋友。一個二十二歲的精分裂的男人,在他的女友背叛他與他最好的朋友發(fā)生關(guān)系后,就決定結(jié)束自己的生命...在他自殺前,預(yù)謀了一個計(jì)劃:"就是讓那一對情人陷入瘋狂和絕望的深淵..."   

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一個精神分裂的人自殺后,他的女友欺騙他,他最好的朋友。一個二十二歲的精分裂的男人,在他的女友背叛他與他最好的朋友發(fā)生關(guān)系后,就決定結(jié)束自己的生命...在他自殺前,預(yù)謀了一個計(jì)劃:"就是讓那一對情人陷入瘋狂和絕望的深淵..."   

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster