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劇情簡介
康納是一位有抱負(fù)的作艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她的丈夫是一名編輯,工作時(shí)間根據(jù)作家的日程安排而變化,非常忙碌。栗原是一位陷入低谷的成人小說作家,飽受缺乏靈感的困擾。秘書見他這個(gè)樣子,就靈機(jī)一動。那就是把當(dāng)護(hù)士的神無叫來當(dāng)幫手
同類好片
蜜戀合租
孫志強(qiáng),徐海文,謝雨欣逆轉(zhuǎn)上半場
梁詠琪,陳湛文,凌文龍,梁雍婷,朱栢康,陳輝虹大器晚成2023
凱倫·吉蘭,瑪爾戈扎塔·扎亞茨夫斯卡,杰梅因·福勒,塔利亞·巴爾薩姆,凱文·尼龍,麥克斯·詹金斯,拉提法·赫爾德走出叢林
布里姬特·霍博梅爾,Sarah Zaharanski開麥了嗎?
威爾·阿奈特,布萊德利·庫珀,塞倫·希德,勞拉·鄧恩,艾米·塞德麗絲,西恩·海耶斯,克斯汀·埃伯索爾,斯萬米·薩姆派奧,安德拉·戴,佩頓·曼寧,加布·法齊奧,迪倫·比克爾,喬丹·詹森,Scott Icenogle,湯姆·約翰遜,Chloe Radcliffe,德里克·蓋恩斯,蘭登·威爾森,Reggie Conquest,Seyler Fox致命錄像帶99
杰西·拉圖雷特,Keanush Tafreshi,Dashiell Derrickson,杰克森·凱利,泰比·迪斯金,維羅娜·布魯,阿米娜·涅韋斯,凱利·米薩爾,Melissa Macedo,艾麗·艾恩奈茲,Isabelle Hahn,Breana Raquel,Caitlin Serros,Brittany Gandy,Logan Riley,Maurice Webster,史蒂文·奧格,Jerry Boyd,索妮雅·艾迪,Amelia Ann導(dǎo)演精選
關(guān)于我轉(zhuǎn)生變成史萊姆這檔事蒼海之淚篇
舞臺設(shè)定在崇拜水龍守護(hù)神的海底王國「海炎國」,這里因神秘污染和“強(qiáng)行喚醒沉睡水龍”的陰謀陷入危機(jī)。利姆露一行人原本是來海島度假,卻被卷入這場深海危機(jī),從悠閑摸魚被迫營業(yè),潛入蒼海深處揭開陰謀、阻止海底文明覆滅。
新咒怨(美版)
一名年輕的單親媽媽兼警探莫頓發(fā)現(xiàn)郊區(qū)的一間房子遭到一個(gè)復(fù)仇怨靈所詛咒,這使進(jìn)入房子內(nèi)的人都會慘死。進(jìn)入被詛咒的屋子中的她們必須設(shè)法從中救出自己和她的兒子,以免受怨靈的襲擊。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster